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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2020.12
- 수록면
- 119 - 144 (26page)
- DOI
- 10.29324/jewcl.2020.12.54.119
이용수
초록· 키워드
오류제보하기
The purpose of this paper is to examine the textual features of records and memories reproduced in the form of literature by comparing the texts In Stahlgewittern and the Shadow of Weapons to examine the distancing strategy that is being used by the subject and the author of the work.
Ernst Jünger was born on March 29, 1895, in Heidelberg, Germany and participated in World War I in 1914. In Stahlgewittern is based on the battle he experienced when he joined the 73rd Hanover Regiment as a private soldier. The Shadow of Weapons is written by Hwang Seok-yong, a Korean writer, is also based on the author’s experience of the Vietnam War. The writer himself mentions that the Vietnam War had a definite effect on his overall work.
This study compares these two authors’ representation of the war and the textual characteristics that appeared in their records and memories as they are reproduced to literature. Furthermore, the study analyzes the functional aspects by analyzing the distancing strategy used by the subject and author himself. Just as every book and bullet have a destination, this paper intends to compare and explore the fate of the subject who has different socio-cultural, temporal, and racial backgrounds. Furthermore, it points out the psychological mechanism of the subject to turn away from political and social ideology.
Ernst Jünger was born on March 29, 1895, in Heidelberg, Germany and participated in World War I in 1914. In Stahlgewittern is based on the battle he experienced when he joined the 73rd Hanover Regiment as a private soldier. The Shadow of Weapons is written by Hwang Seok-yong, a Korean writer, is also based on the author’s experience of the Vietnam War. The writer himself mentions that the Vietnam War had a definite effect on his overall work.
This study compares these two authors’ representation of the war and the textual characteristics that appeared in their records and memories as they are reproduced to literature. Furthermore, the study analyzes the functional aspects by analyzing the distancing strategy used by the subject and author himself. Just as every book and bullet have a destination, this paper intends to compare and explore the fate of the subject who has different socio-cultural, temporal, and racial backgrounds. Furthermore, it points out the psychological mechanism of the subject to turn away from political and social ideology.
목차
Ⅰ. 서론
Ⅱ. 재현으로서의 전쟁문학과 주체의 거리두기
Ⅲ. 결론
Works Cited
Abstract
참고문헌 (20)
참고문헌 신청
An, Nam-Il / 1999 / A Study of Hwang Suk-Young’s Novels Viet-nam War / The Journal of Korean Studies 11:265~283
Aristotle / 2009 / The Nicomachean Ethics / Oxford U
Ellis, John / 2005 / Eye-Deep in Hell; Trench Warfare in World War / Mati
한순미 / 2019 / 세계를 바라보는 다초점 렌즈로서의 재난(인)문학 / 동서비교문학저널 (50):287~308
Hillard, Derek / 2014 / Ernst Jünger’s Literature of Pain, or the Troubles of Detaching Mind from Feeling / Monatshefte 106(1):54~72
Aristotle / 2009 / The Nicomachean Ethics / Oxford U
Ellis, John / 2005 / Eye-Deep in Hell; Trench Warfare in World War / Mati
한순미 / 2019 / 세계를 바라보는 다초점 렌즈로서의 재난(인)문학 / 동서비교문학저널 (50):287~308
Hillard, Derek / 2014 / Ernst Jünger’s Literature of Pain, or the Troubles of Detaching Mind from Feeling / Monatshefte 106(1):54~72
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