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This paper explores the spirituality of the pilgrimage and architecture of Vézelay Abbey in Burgundy, east of France. The Vezelay Abbey began as a small chapel in the 9th century. However, it suffered many difficulties such as natural disasters, outside invasions, and fires, and it has become what it is today through pilgrim’s visits and reconstructions. The Vezelay Abbey Church now stands as one of the masterpieces of Burgundian Romanesque art and architecture.
Vézelay Abbey is well-known as part of the pilgrimage trail to Santiago de Compostela in Spain. It is one of the four major pilgrimage routes from France to Santiago de Compostela. The purpose of the pilgrimage is the confession of sin. The medieval pilgrimage consists of the confession of sin, healing, and devotion. Pilgrims had to carry a small bag containing only a moderate amount of food and clothes. This reveals the spirituality of the pilgrimage to rely on God, not on oneself.
The architecture of the Vezelay Abbey Church has its own spiritual meaning. The portals and entrances of the Abbey Church are unusually high and large. The Abbey portal is the only space where non-believers can enter the church. The Vezelay Abbey Church has a broad and tall entrance, and the groom, space where laypeople worship, is designed to be easily accessible.
Vezelay Abbey’s architecture is characterized by its use of light. Light is used in architecture to sanctify the space, allow humans to acquire subjective time, and transform the physical properties of the space itself.
Vezelay Abbey’s theology and spirituality lie in the Tympanum located at the centre of the church architecture. Tympanum depicts Jesus Christ, apostles, and Gentiles in various ways. However, the focus of the tympanum is Jesus Christ. The central theme is the Ascension of Jesus Christ, the coming of the Holy Spirit at Pentecost, and the call to missions. The focal point of the tympanum is found in the image of Jesus Christ at the central tympanum. Here Christ sits, with both arms wide open, in a merciful manner. Those who meditate on the central tympanum will experience the infinite mercy of Christ and His infinite compassion for the world.
Medieval monastic architecture leads us to discover infinite theological ideals and guides us into a world of deep spirituality. Vezelay Abbey can be found not only in the spirituality of the monastery itself but also in its architecture and the tympanum sculptures. Such medieval monastic architectures compel one to re-examine what should be contained and considered in church architecture in the Korean church.
Vézelay Abbey is well-known as part of the pilgrimage trail to Santiago de Compostela in Spain. It is one of the four major pilgrimage routes from France to Santiago de Compostela. The purpose of the pilgrimage is the confession of sin. The medieval pilgrimage consists of the confession of sin, healing, and devotion. Pilgrims had to carry a small bag containing only a moderate amount of food and clothes. This reveals the spirituality of the pilgrimage to rely on God, not on oneself.
The architecture of the Vezelay Abbey Church has its own spiritual meaning. The portals and entrances of the Abbey Church are unusually high and large. The Abbey portal is the only space where non-believers can enter the church. The Vezelay Abbey Church has a broad and tall entrance, and the groom, space where laypeople worship, is designed to be easily accessible.
Vezelay Abbey’s architecture is characterized by its use of light. Light is used in architecture to sanctify the space, allow humans to acquire subjective time, and transform the physical properties of the space itself.
Vezelay Abbey’s theology and spirituality lie in the Tympanum located at the centre of the church architecture. Tympanum depicts Jesus Christ, apostles, and Gentiles in various ways. However, the focus of the tympanum is Jesus Christ. The central theme is the Ascension of Jesus Christ, the coming of the Holy Spirit at Pentecost, and the call to missions. The focal point of the tympanum is found in the image of Jesus Christ at the central tympanum. Here Christ sits, with both arms wide open, in a merciful manner. Those who meditate on the central tympanum will experience the infinite mercy of Christ and His infinite compassion for the world.
Medieval monastic architecture leads us to discover infinite theological ideals and guides us into a world of deep spirituality. Vezelay Abbey can be found not only in the spirituality of the monastery itself but also in its architecture and the tympanum sculptures. Such medieval monastic architectures compel one to re-examine what should be contained and considered in church architecture in the Korean church.
목차
Ⅰ. 들어가는 말
Ⅱ. 베즐레 수도원의 기원과 역사
Ⅲ. 베즐레 수도원과 순례의 영성
Ⅳ. 베즐레 수도원 교회 건축과 영성
Ⅴ. 베즐레 수도원의 팀파눔과 영성
Ⅵ. 나가는 말
Abstract
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