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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2020.11
- 수록면
- 265 - 288 (24page)
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Currently, 938 copies of the vernacular Chinesel literature books published in China during the 1920s and 40s are preserved in the torture archives of Seoul National University’s central library. This is a collection of books collected under the leadership of Karashima Takeshi, who was then a professor of department of Chinese language literature at Kyungsung Imperial University, and accumulated data reflecting his plan to recognize modern China with contemporary living literature.
The collection of literature books by 316 authors, including leading newspaper writers such as 魯迅, 周作人, 郭沫若, 茅盾, 蔣光慈, 巴金 and 沈從文, as well as lesser-known writers such as 王獨淸, 周全, 汪靜之 and 胡山源. The genre of fiction, poetry, prose and play are evenly distributed, as well as a number of literary theory books. It is noteworthy that the literary theory preserves a number of books on revolutionary literature as well as literary theories related to genres such as novels, plays and poems. The theory of emerging literary arts, introduction of Russian literary theory and revolutionary literary works can be read as an example of how the collection of books was guaranteed a certain amount of autonomy and discretion, even though it was an Imperial University library founded by the colonial authorities.
In addition, through the collection of vernacular Chinesel literature books, you can also see the publication of various books and books by the several literature groups, which was a universal phenomenon in the literary world at the time. As well as various books such as 文學叢刊, which are the largest modern literary books organized by 巴金, and 小說月報叢刊, 文學硏究會叢書. There are also relatively complete books, including 144 volumes of 商務印書館, which are the main reports of modern translation literature. 說部叢書 and 民衆小說戱曲讀本 are not vernacular Chinesel literature books but are notable for their collections showing the academic interest of Karashima Takeshi, who was also a researcher of Chinese literature. The collection of vernacular Chinesel literature books is a “broad basic material” encompassing genres and themes, a document book that reflects the achievements of Chinese modern literature in the first half of the 20th century, and is expected to be actively utilized by Korean scholars afterwards.
The collection of literature books by 316 authors, including leading newspaper writers such as 魯迅, 周作人, 郭沫若, 茅盾, 蔣光慈, 巴金 and 沈從文, as well as lesser-known writers such as 王獨淸, 周全, 汪靜之 and 胡山源. The genre of fiction, poetry, prose and play are evenly distributed, as well as a number of literary theory books. It is noteworthy that the literary theory preserves a number of books on revolutionary literature as well as literary theories related to genres such as novels, plays and poems. The theory of emerging literary arts, introduction of Russian literary theory and revolutionary literary works can be read as an example of how the collection of books was guaranteed a certain amount of autonomy and discretion, even though it was an Imperial University library founded by the colonial authorities.
In addition, through the collection of vernacular Chinesel literature books, you can also see the publication of various books and books by the several literature groups, which was a universal phenomenon in the literary world at the time. As well as various books such as 文學叢刊, which are the largest modern literary books organized by 巴金, and 小說月報叢刊, 文學硏究會叢書. There are also relatively complete books, including 144 volumes of 商務印書館, which are the main reports of modern translation literature. 說部叢書 and 民衆小說戱曲讀本 are not vernacular Chinesel literature books but are notable for their collections showing the academic interest of Karashima Takeshi, who was also a researcher of Chinese literature. The collection of vernacular Chinesel literature books is a “broad basic material” encompassing genres and themes, a document book that reflects the achievements of Chinese modern literature in the first half of the 20th century, and is expected to be actively utilized by Korean scholars afterwards.
목차
1. 白话体文学书库和辛岛骁
2. 按作家的藏本概略
3. 各种丛书和文学社团出版物
4. 按文学体裁的藏本概略
5. ‘说部丛书’和‘民众小说戏曲读本’
6. 重新提出若干新的问题
【參考文獻】
【Abstract】
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