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논문 기본 정보

자료유형
학술저널
저자정보
Eun-young JIN (Korea Counseling Graduate University) Bo-seon SHIM (Kyung Hee Cyber University)
저널정보
The Academy of Korean Studies Korea Journal Korea Journal Vol.55 No.1
발행연도
2015.3
수록면
86 - 111 (26page)

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초록· 키워드

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This paper examines the artworks of the artists in the Asia, Politics, Art Project (APA Project) from the perspective of “performative narrative of the people,” a notion suggested by Homi Bhabha. The APA Project shows how the artworks of diasporic artists inscribe otherness within the otherwise homogeneous space of the nation. The participant artists, as the second and third generations of zainichi Korean, do not hold the memory of traumatic events suffered by the first minority generation. However, their works utilize postmemory based on dim images of memories inherited from their family histories. The elements, such as a grandmother’s chimajeogori and the lyrics of an old Korean song, are woven by Oh Haji into unique narratives that are distinct from the “pedagogical narrative of the people,” emphasizing unity and continuity of the nation-state. Kim uses chimajeogori in a multi-layered manner to reveal the existential conditions of students bounded by a violence that has historical roots, but she does not treat it as a simplistic oppositional sign against the dominant national ideology. These minority writers/artists and their works are illustrative cases of performative narratives that use and reconstruct images in the history and everyday life of a minority, splitting the homogeneous space of the nation and suggesting new public and diasporic spaces within it.

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Abstract
The Forbiddance of the Return and the Invitation of the Forbidden : Becoming a Bridge for the Deceased
Diasporic Artists and the Construction of Performative People : Scattering the Okinawa Narrative
Azaleas, Not an Azalea: The Splitting of Common Sense
Other Red Flowers: Asia, Politics, and Art of Postmemory
Conclusion
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