지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Aneesh chaganty’s feature debut film 〈Searching〉, released around the world in 2018, is a billion-dollar low-budget film that rarely succeeds in both critically and commercially. The found footage movie 〈Searching〉 is also famous for its new screen format called ‘Screen Life’, and its creator Timurbeck Mambetov is also a work that shows its planning power. In the early days of filmmaking, Found footage, which was often tried in experimental films, has now been produced as a sub-genre of Fake Documentary. When a man (David) analyzes the movie 〈Searching〉, which is a story that Internet search traces the whereabouts of his missing daughter, from the point of view of the director, it can be seen that found footage effectively fused the traditional genre, mystery thriller. Thanks to the PC-based story development, 〈Searching〉 is a narrative development that allows viewers to approach the film by watching all the clues like an amateur detective. The basic theme is “Family love”, but it is also special that the lives of modern people revealed through the Internet, their duality, and voyeurism are satirically depicted.
In the meantime, the traditional found footage movies that were used mainly to maximize the reality in horror movies concentrate on showing simple narrative in a realistic way. 〈Searching〉, on the other hand, has a dignified story due to the effective use of motifs and a close double line in addition to the advantages of existing pound footage. Unlike ordinary movies, 〈Searching〉 is centered on footage, so new concepts arise in traditional photography, editing, and acting. For example, you can express your character’s emotions with a simple little effect, such as blinking mouse cursor, typing speed, writing and erasing letters. Sometimes, the actors have to take the camera with their own hands. 〈Searching〉 is a movie with a special format that is replaced by a monitor that realizes a traditional screen in the 21st century online world. Thanks to director Chaganti’s outstanding directing, Found footage is now confident that it will gradually become recognized as one of the main genres from the sub-genre.
In the meantime, the traditional found footage movies that were used mainly to maximize the reality in horror movies concentrate on showing simple narrative in a realistic way. 〈Searching〉, on the other hand, has a dignified story due to the effective use of motifs and a close double line in addition to the advantages of existing pound footage. Unlike ordinary movies, 〈Searching〉 is centered on footage, so new concepts arise in traditional photography, editing, and acting. For example, you can express your character’s emotions with a simple little effect, such as blinking mouse cursor, typing speed, writing and erasing letters. Sometimes, the actors have to take the camera with their own hands. 〈Searching〉 is a movie with a special format that is replaced by a monitor that realizes a traditional screen in the 21st century online world. Thanks to director Chaganti’s outstanding directing, Found footage is now confident that it will gradually become recognized as one of the main genres from the sub-genre.
목차
Ⅰ. 서론
Ⅱ. 파운드 푸티지 장르의 유래와 특징
Ⅲ. 본론 : 영화 〈서치〉의 연출 분석
Ⅳ. 결말
참고 문헌
Abstract
참고문헌 (20)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
[PORTFOLIO] 사진재, Footage
월간사진
2024 .07
-
Soul Searching
International Invitation Exhibition of Color Works
2020 .12
-
동시대 파운드푸티지 영상의 아카이브 수행: 페테르 포르가츠와 피오나 탄의 경우
서양미술사학회논문집
2024 .08
-
제이 로젠블랏의 파운드 푸티지 영화 연구
영상기술연구
2019 .12
-
Fiber Jungle - Searching for the Source
International Invitation Exhibition of Color Works
2023 .11
-
영화 <서치>의 인터랙티비티 유형 분석
아시아영화연구
2022 .03
-
《寻·迹》 Searching for Traces 2024
한국기초조형학회 작품집
2024 .07
-
포스트-매체와 ‘확장된 영화’로서 실험영화 : 크리스티안 마클레이의 〈시계〉를 중심으로
현대미술사연구
2016 .12
-
Renewing Found Footage Filmmaking with Digital Technologies : Ken Jacobs’s Recent Digital Films
영화연구
2015 .12
-
영화산업의 독과점 실태와 해소 방안
스포츠엔터테인먼트와 법
2017 .01
-
한국 상업영화, 캐릭터의 획일성과 비확장성에 대한 연구
영상기술연구
2017 .06
-
김홍도의 다양한 면모를 탐구하다
한국예술연구
2024 .09
-
영화 〈서치〉를 통해 본 영화 서사의 단절지향성
영상기술연구
2020 .12
-
영화의 관객 정서 형성에 관한 연구: <서치>(2017)의 긴장유발 전략을 중심으로
PREVIEW : 디지털영상학술지
2019 .01
-
영화 <미지왕>의 작가주의적 관점과 영화사적 의미 고찰
영상기술연구
2022 .12
-
장르영화로서의 주선율: 내러티브 체계를 중심으로
영화연구
2025 .03
-
메소드 로드(method road): 로드무비 장르의 방법론적 확장 가능성에 관한 연구
영화연구
2022 .09
-
한국 상업영화의 소재와 주제에 관한 연구
영상기술연구
2019 .12
-
디지털 매체 예술에서 스크린 활용의 미학적 고찰
기초조형학연구
2021 .06
-
The K-Movie Wave: a Historical Perspective
TECHART: Journal of Arts and Imaging Science
2023 .02
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2020-688-000894002