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Language of camera - A few episodes for montage work
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카메라의 言語 - 몽타주작업을 위한 몇 에피소드

논문 기본 정보

Type
Academic journal
Author
Journal
The Society for Korean Language & Literary Research 어문연구(語文硏究) 어문연구(語文硏究) 제47권 제1호 KCI Accredited Journals
Published
2019.1
Pages
181 - 201 (21page)

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Language of camera - A few episodes for montage work
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Based on a few concepts of Montage and Plan, this article performance the early montage theory that contributed to the modernity of the movie through real films. Contemporary films have achieved greater depth of cinematic perfection by paying attention to the montage. Editing is an essential part of this process. Editing is the beginning and completion of the montage. It occupies an important position in movie work. Editing is not an exaggeration to say that it is the Final course to complete the entire film through cutting, collage, and fictional connection. The montage is in the flow of a rhythm in the film of one side, and it is also an excellent mechanism to induce conflict. In addition, the montage is flexible, dramatic, through the conflict of the conflict, guiding the entire film to the "unrecognizable world"(Deleuze) in ways beyond imagination, so that the genre of the most fervent enthusiasm
#Plan #montage #editing #montage of attractions #collision montage #Linkage-p #Collision-E #constructive editing #relational editing

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로널드 보그 / 2006 / 들뢰즈의 시네마 / 동문선 :71 google schola 벵상 아미엘 / 2009 / 몽타주의 미학 / 동문선 google schola 신철하 / 2012 / 욕망의 형식으로서의 영화 -라캉과 두개의 텍스트 / 어문론집 52:385~406 dbpia 안드레이 타르콥스키 / 1991 / 봉인된 시간 / 분도출판사 google schola 앙리 베르크손 / 2017 / 물질과 기억 / 자유문고 :25 google schola

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