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자료유형
학술저널
저자정보
저널정보
한국외국어대학교 동남아연구소 동남아연구 동남아연구 제28권 제3호
발행연도
2019.1
수록면
219 - 246 (28page)

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Pramoedya depicted the scene and atmosphere at the time before his father passed away in his novel Bukan Pasar Malam (translated into English as It’s Not an All Night Fair), published in 1951. It is a simple report, about a family who have a hard life with all their sadness. In this work, Pramoedya uttered his voice on the Javanese culture. He is very sensitive about it and it burdened him. Compared to that in his other works, Pramoedya’s critics on the cultural matters in Bukan Pasar Malam is less caustic. In his novel, he gave his comment on the attitude of the Javanese aristocrats including the concept of sepi ing pamrih as a Javanese way of life and being noble as the ettiquette. The concept of sepi ing pamrih means a value of not putting one’s self on the first priority. In a Javanese society, nobility is shown by the freedom of vested interest (pamrih). He emphasized this attitude through the first person character and his father inthis particular work. The author wants to show in this novel that Javanese people would have an inner peace by implementing sepi ing pamrih. The nobility of Javanese people is represented in the novel. It is implied a physical meaning, that is not using a rising tone, being polite, and well-manered. Pramoedya depicted those attitude through the characters in Bukan Pasar Malam. It is summed up that that Pramoedya responded positively to that particular culture.

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