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A Study on Tone of a Predicate in Pyeongchang Dialect
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평창방언 용언의 성조 연구

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Type
Academic journal
Author
Journal
The Society of Korean National Language and Literature 겨레어문학 겨레어문학 제54호 KCI Accredited Journals
Published
2015.1
Pages
331 - 373 (43page)

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A Study on Tone of a Predicate in Pyeongchang Dialect
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This study has two aims. The one is to discribe tonal system in Pyeongchang diarect. Another aim is to elucidate the transitional features of changes in tonal systems through comparing Pyeongchang diarect and Jeongseon diarect. As a result, Pyeongchang diarect is tone language. And tonal systems in Pyeongchang diarect is more unstable than that in Jeongseon dialect. There is some ground for this argument. First, although Pyeongchang diarect is slowly transforming into a non-tone languages, these are interpreted to be the tone languages. The base of judgment is as follows. A. The tonal systems consist of three tonemes(plain tone, depart tone, rising tone) and have a range of two levels in Pyeongchang diarect. B. There are three types of tonal patterns in Pyeongchang diarect. but The departing tonal pattern is only a word with one syllable and has been changed to plain tonal pattern in a word with two syllables. Scound, In some ways, Pyeongchang diarect has more transitional characteres than Jeongseon dialect. There is some ground for this argument. A. The yin-plain tonal pattern show up in Pyeongchang diarect. But it is not in Jeongseon dialect. B. The tonal pattern of 'Sa·da, Soe·da' changed to the yin-plain tonal pattern in Pyeongchang diarect. But it is not in Jeongseon dialect. C. Sometimes the rising tonal pattern appears to be the pyeongbok pattern in Pyeongchang diarect. But it is not in Jeongseon dialect. D. The plain-1 pitch pattern changes to randomly [HM²]~[HMH] in Pyeongchang diarect. But it is not in Jeongseon dialect.

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