이 연구의 목적은 한국전통무용 지도현장에서 이루어지고 있는 주요 교수유형은 무엇인가를 규명하여 한국전통무용의 교수유형의 기록 및 보존적 측면과 원활한 계승적 측면에서 발전 방향을 모색하는데 있다. 연구대상자는 한국전통무용 이수자 23명을 선정하여 수행 하였다. 한국전통무용의 교수유형의 요인을 규명하기 위하여 합리적인 과정과 방법을 통해 AHP(Analytic Hierarchy Process; 계층화분석) 분석에 적합한 설문지를 구성하여 자료를 수집하였다. 결과도출을 위한 자료처리는 Expert Choice 2000 프로그램을 이용한 AHP분석을 통하여 검증하였다. 따라서 다음과 같은 결론을 얻었다.
첫째, 한국전통무용 이수자들의 교수유형은 교육적 차원, 예술적 차원, 전통적 차원, 재안무적 차원의 4가지 차원으로 크게 분류되었으며, 교육적 차원은 교육적 효과성추구, 피드백 추구, 지도법 추구, 내적욕구발현 등의 4가지 차원으로, 예술적 차원은 아름다움 추구, 풍류 추구, 예술성 추구, 감정이입 추구 등의 4가지 차원으로, 전통적 차원은 정체성 추구, 전통계승성 추구, 한(恨)추구 등의 3가지 차원으로, 재안무적 차원은 장단이해 추구, 호흡이해 추구, 동작이해 추구 등의 3가지 차원으로 총14가지 요인을 도출 하였다. 둘째, 한국전통무용 이수자들은 한국전통무용 교수유형의 4가지 대항목요인 중에서 전통적 차원을 가장 중요하게 생각하였으며, 다음으로 예술적 차원, 교육적 차원 그리고 재안무적 차원 순으로 중요하게 여기는 것으로 나타났다.
The purpose of this study is to find methods to develop to document, preserve and to smoothly succeed the traditional Korean dance pedagogies by examining the major pedagogies in teaching Korean traditional dance. To achieve the purpose of the study, 23 of those who have completed training in traditional Korean dances were selected. In order to examine the elements of Korean traditional dance pedagogies, elements were stratified through study of early literature, meetings with experts and open questionnaires. The classified elements were made into 9 point ratio scale relative comparison questionnaires for AHP analysis and thereby data was collected through direct interview with the subjects. The derivation of relative importance and priority order of the Korean traditional dance pedagogies of those who have completed training in Korean dances were verified by the AHP analysis utilizing the Expert Choice 2000 program.
First, the pedagogies of those who have completed training in traditional Korean dances can be classified largely into four levels; educational, artistic, traditional and re-choreography. These four levels are again sub-classified. Educational level sub-classifies to 4 pursuit levels of educational feedback, teaching methods, manifestation of inner desire. The artistic level is sub-classified to 4 pursuit levels of esthetic, elegance, artistry and empathy. The traditional level is sub-classified to 3 levels of pursuits of identity, succession of tradition and pursuit of lamentation. The re-choreography is sub-classified to 3 pursuit levels of understanding of rhythm, breathing and understanding of movement. Thereby a total of 14 factors are derived. It was found that those who have completed training in traditional Korean dances considered traditional the most important element of the 4 major categories of the teaching patterns. The importance was then considered in the order of artistry level, educational level then re-choreography level. Of the traditional level sub-category, pursuit of succession of tradition, of the artistry level sub-category pursuit of artistry, of the educational level sub-category manifestation of inner desire, of the re-choreography level sub-category understanding of breathing were considered the important elements.