Based on the side-dot theory ‘a tonemic theory’ established by Chagyun
Gim(1998, 1999, 2003, etc.) and improved by Sejin Gim(2004), firstly, I
have contrastively analysed and described the complicated tonemic
alternations of inflectional forms of the verb /ga-da/ in Sacheon dialect
and Namhae dialect, which belong to south-west Geongnam dialect.
Secondly, I have analysed systematic tonemic symmetries between
inflextional forms of the simple verb /ga-da/ and those of the compound
verb /naga-da/ in Sacheon dialect. In Namhae dialect, the stem of the
verb /naga-da/ appears always departing tone pattern. Therefore we need
not compare inflextional forms of the verb /ga-da/ and the verb
/naga-da/ in Sacheon dialect.
According to the side-dot theory, Sacheon dialect has three basic
tonemic patterns and one deriving tonemic pattern. Three basic tonemic
patterns are the pyeongcheuk pattern ‘complex tone pattern’(□1·□n,
H1Mn), the geoseong pattern ‘departing tone pattern’(·□1, M1) and
the sangseong pattern ‘rising tonemic pattern’(:□1, L1), and deriving tonemic pattern is called yin-sangseong(:ꋪ□1, □L 1).
Since each tonemic form of the verb /ga-da/ show alternations in □1
·□n(H1Mn), ·□1(M1) and :□1(L1) in the two dialects, and we cannot
predict it by the structure of inflectional endings on its own, but the
correspondences between forms of the verb /ga-da/ are is in perfect order
in the two dialects.
In Sacheon dialect, when a form of the verb /ga-da/ appears as □1·□
n(H1Mn), does also the correspondent forms of the verb /naga-da/ as □1
·□n(H1Mn). But when a form of the former appears as ·□1(M1) or :□1
(L1), that of the latter does as :ꋪ□1.
Based on the side-dot theory ‘a tonemic theory’ established by Chagyun
Gim(1998, 1999, 2003, etc.) and improved by Sejin Gim(2004), firstly, I
have contrastively analysed and described the complicated tonemic
alternations of inflectional forms of the verb /ga-da/ in Sacheon dialect
and Namhae dialect, which belong to south-west Geongnam dialect.
Secondly, I have analysed systematic tonemic symmetries between
inflextional forms of the simple verb /ga-da/ and those of the compound
verb /naga-da/ in Sacheon dialect. In Namhae dialect, the stem of the
verb /naga-da/ appears always departing tone pattern. Therefore we need
not compare inflextional forms of the verb /ga-da/ and the verb
/naga-da/ in Sacheon dialect.
According to the side-dot theory, Sacheon dialect has three basic
tonemic patterns and one deriving tonemic pattern. Three basic tonemic
patterns are the pyeongcheuk pattern ‘complex tone pattern’(□1·□n,
H1Mn), the geoseong pattern ‘departing tone pattern’(·□1, M1) and
the sangseong pattern ‘rising tonemic pattern’(:□1, L1), and deriving tonemic pattern is called yin-sangseong(:ꋪ□1, □L 1).
Since each tonemic form of the verb /ga-da/ show alternations in □1
·□n(H1Mn), ·□1(M1) and :□1(L1) in the two dialects, and we cannot
predict it by the structure of inflectional endings on its own, but the
correspondences between forms of the verb /ga-da/ are is in perfect order
in the two dialects.
In Sacheon dialect, when a form of the verb /ga-da/ appears as □1·□
n(H1Mn), does also the correspondent forms of the verb /naga-da/ as □1
·□n(H1Mn). But when a form of the former appears as ·□1(M1) or :□1
(L1), that of the latter does as :ꋪ□1.