지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2019.7
- 수록면
- 327 - 351 (25page)
- DOI
- 10.46834/jkmcah.2019.07.37.327
이용수
초록· 키워드
오류제보하기
This study aims to forge a connection between the artworks created by Han Mook in Paris in the 1960s and 1970s and the École de Paris. The École de Paris collectively refers to foreign artists working in France and the artworks they produced. The works produced by École de Paris reflect both the artistic styles of the members’ home countries and artistic influence in France. The goal of this study is to argue that Han Mook’s works from the 1960s and 1970s are one of examples of the École de Paris created based on the spatio-temporal characteristics that were prevalent in the French art world at the time.
To support this argument, this study explores the characteristics of the artistic styles that Han was interested in and discusses how these characteristics were connected to Han’s creations and the French art world at the time. In the 1960s, Han was primarily interested in geometric abstraction and Cinétisme. One reason Han focused on these styles was the exhibitions featured at the Denise René gallery. Another reason for this emphasis was the circumstances that, after 1965, pushed both of these styles to the forefront of the French art world. Han’s works from the 1970s reflect the Cinétisme and spatio-temporalism prevalent in Paris that enabled these genres to emerge, and are also seen as a response to man’s first landing on the moon in 1969.
This study gives special attention to the importance of Stanley William Hayter and Atelier 17, both of which, along with the influences above, helped form a his unique artistic style during Han’s year in Paris. By exploring the aforementioned influences, this study aims to demonstrate the connection between the styles and Han was interested in during his time in France and the École de Paris. Ultimately, this study aims to show how Han Mook’s works from the 1960s and 1970s reflect changes in French society and the French art world and examines Han’s artwork within a broader international context.
To support this argument, this study explores the characteristics of the artistic styles that Han was interested in and discusses how these characteristics were connected to Han’s creations and the French art world at the time. In the 1960s, Han was primarily interested in geometric abstraction and Cinétisme. One reason Han focused on these styles was the exhibitions featured at the Denise René gallery. Another reason for this emphasis was the circumstances that, after 1965, pushed both of these styles to the forefront of the French art world. Han’s works from the 1970s reflect the Cinétisme and spatio-temporalism prevalent in Paris that enabled these genres to emerge, and are also seen as a response to man’s first landing on the moon in 1969.
This study gives special attention to the importance of Stanley William Hayter and Atelier 17, both of which, along with the influences above, helped form a his unique artistic style during Han’s year in Paris. By exploring the aforementioned influences, this study aims to demonstrate the connection between the styles and Han was interested in during his time in France and the École de Paris. Ultimately, this study aims to show how Han Mook’s works from the 1960s and 1970s reflect changes in French society and the French art world and examines Han’s artwork within a broader international context.
목차
I. 들어가는 글
II. 1960년대: 추상미술의 복합적인 수용과 탐구
III. 1970년대: 아틀리에 17에서의 판화 실험과 새로운 질서의 창조
IV. 나가는 글
참고문헌
Abstract
참고문헌 (42)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
한묵의 입체파 인식과 변용 - 1950년대 한묵의 예술관과 작품을 중심으로
한국근현대미술사학
2019 .07
-
추상 · 과학기술 · 생명 - 한묵의 생명주의 추상
한국근현대미술사학
2019 .07
-
[해외 리포트] 파리 ‘예술과 스포츠’ : 고고학에서 디자인, 도시문화의 재발명
월간미술
2024 .08
-
Han River N°8
한국기초조형학회 작품집
2024 .01
-
Han River N°5
한국기초조형학회 작품집
2023 .02
-
Han River N°7
한국기초조형학회 작품집
2023 .07
-
Han River N°4
한국기초조형학회 작품집
2023 .01
-
Sem Han_우리 기쁜 날
월간사진
2022 .02
-
전후(戰後) 프랑스 체재 외국인 미술가들과 문신
미술사연구
2023 .12
-
A pot of desire(Paris)
한국기초조형학회 작품집
2023 .11
-
Only a residential space that looks at Han River
한국기초조형학회 작품집
2024 .08
-
파리와 베이징컬렉션에 나타난 차이니즈 포복스타일 디자인 비교 연구
한국의상디자인학회지
2021 .02
-
1950년대의 파리 진출 작가들과 한국현대미술의 국제화
현대미술사연구
2016 .06
-
Mise en moments_Paris+Seoul 04b
한국기초조형학회 작품집
2018 .05
-
A Study of Jewelry Design Applied with Traditional Pattern of Chines Han Nationality
한국디자인학회 학술발표대회 논문집
2015 .10
-
Visualization of Han River’s Regionality
한국디자인학회 국제초대전도록
2016 .12
-
프랑스 공연예술계의 코로나19 대응정책 분석
한국무용교육학회지
2021 .09
-
“Spring in Paris. Notre Dame.”
한국기초조형학회 작품집
2019 .11
-
박서보의 1960년대 작업 연구 : 프랑스 체류 경험의 영향을 중심으로
현대미술사연구
2017 .12
-
이문구 작품 속 한강의 공간성 연구 - 1960년대 배경 작품을 중심으로
한국문화기술
2016 .01
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2019-605-000946750