메뉴 건너뛰기
.. 내서재 .. 알림
소속 기관/학교 인증
인증하면 논문, 학술자료 등을  무료로 열람할 수 있어요.
한국대학교, 누리자동차, 시립도서관 등 나의 기관을 확인해보세요
(국내 대학 90% 이상 구독 중)
로그인 회원가입 고객센터 ENG
주제분류

추천
검색
질문

논문 기본 정보

자료유형
학술저널
저자정보
서유리 (서울대학교)
저널정보
한국근현대미술사학회 한국근현대미술사학 한국근현대미술사학 제36집
발행연도
2018.12
수록면
89 - 118 (30page)
DOI
10.46834/jkmcah.2018.12.36.89

이용수

표지
📌
연구주제
📖
연구배경
🔬
연구방법
🏆
연구결과
AI에게 요청하기
추천
검색
질문

초록· 키워드

오류제보하기
‘Hodori’ the name of baby tiger was designed as 88 Seoul Olympic mascot with three Taegeuk emblem and formal poster in the end of 1983. The object selection, design process and naming were open to public participation and designated competitions to promote Seoul Olympic Games widely. Hodori was the first Korean olympic symbol and the first commercial character product. Tiger as a national icon originated from a theory that the Korean peninsula looks like a tiger, the king of animal. The theory was argued by Choi Namsun’ enlightenment magazine young man(少年) against Japanese geologist’s rabbit shape theory in 1908. Hodori was designed and promoted as a kind of nation identity of corporate Korea that debuted on the stage of international sports politics and entered the world marketplace. Many designers regarded Olympic as momentum of developing condition and competence of Korean design’s realm. Design Experts Committee founded in Seoul Olympic Organizing Committee supervised and directed every design for olympic such as symbols, environmental decorations, pictogram, typeface, posters, uniforms, etc. Hodori was a cute, intimate and open-minded character and a symbol of open-door economical policy of military government. Hodori was made as various olympic souvenirs and 140 corporates bought the right to use emblem and mascot as official supporters or sponsors. Hodori ran through so many campaigns promoted by military government to mobilize people and to suppress against civil demonstration for democracy. On the other hands, Hodori was satirized and sneered as unjust force or dictator’s pet. Arts criticized the olympic while enjoyed and made a profit from it. This contradictory dynamism was a potential possibility of 1980’s Korean society.

목차

Ⅰ. 들어가며
Ⅱ. 역사적·정치적 국면들 : 정권 인정과 국가 좌표로서의 올림픽
Ⅲ. 경제 자유화와 디자인 발전 그리고 올림픽
Ⅳ. 호돌이 마스코트와 삼태극 엠블럼 : 주식회사 대한민국의 NI
Ⅴ. 돈 버는 호돌이와 달리는 호돌이: 상품화와 관제동원의 양상들
Ⅵ. 쫓아내는 호돌이와 쫓겨나는 호돌이 : 올림픽 도시 재개발과 철거민
Ⅶ. 나오며
참고문헌
Abstract

참고문헌 (18)

참고문헌 신청

함께 읽어보면 좋을 논문

논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!

이 논문의 저자 정보

이 논문과 함께 이용한 논문

최근 본 자료

전체보기

댓글(0)

0

UCI(KEPA) : I410-ECN-0101-2019-605-000326912