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인문학
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자연과학
자연과학 일반 물리학 생물학 생활과학 수학·통계학 천문학 지구과학 화학 기타 자연과학
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공학 일반 건축공학 기계공학 산업공학 재료·에너지공학 전기전자공학 조선해양공학 화학공학 컴퓨터학 기타공학
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의학 일반 간호학 수의학 약학 한의학 기초의학 임상의학 기타 의약학
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복합학
학제간연구 과학기술학 뇌인지과학 기술정책 기타 복합학

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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
한국체육철학회 움직임의 철학: 한국체육철학회지 움직임의철학: 한국체육철학회지 제5권 제2호
발행연도
1997.12
수록면
249 - 270 (22page)

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초록· 키워드

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Culture and arts in the Yi Dynasty were developed through creation and introduction in a sense that they celebrate the achievement of the founding of the dynasty and prayed for the safety of life and property. 36 types of dance were created by hosting court dance and diverse events and a total of 56 types of court dance and music was held until the end of the Yi Dynasty. Especially, as the culture of the tang Dynasty peninsula from unified silla through the Koryo Dynasty to the Yi Dynasty, it exerted an influence on our musical instrument music, dance poetry and so on. Dance introduced from Chinese luring and ching in the Yi Dynasty was termed Tang-ak-Jung-jae mu in the Yi Dynasty was used as a means to exhibit the dignity of the new dynasty rather than thought and mind. In keeping with the change of the times, only the characteristic and format of Tang-ak-Jung-jae(Tang court dance and music)and Sun-Jo in the late Yi Dynasty, so that Tang-ak-Jung-jae was changed into the indigenous korean dance and music and systematized. It can be seen that Tang-ak-Jung-jae was successful in giving shape to our inspiration of the national spirit of our old ancestors that Tang-ak-Jung-jae be consistent with Korean sentiments and thinking however remarkable it might be Tang-ak-Jung-jae created in the early Yi Dynasty includes seven types of Keum-chuk, Su-bo-rok, Keunchun-jung, Su-nyong-myong, Ha-hwang-eun, Ha-sung-myong and Sung-taek. And there are Yuk-hwa-dae and Kok-pa inherited from the Koryo era. Tang-ak-Jung-jae created in the late Yi Dynasty is of 4 types such as Jang-saeng-bo-yeon-ji-mu, Yeon-baek-bok-ji-mu, Je-suchang and Choi-hwa-mu. Seeing that these types of dance are almost similar to Hyang-ak-jung-jae in the form of music used in actual dance movement it is safe to see it as Hyang-ak-jung-jae. Seen at a level of handing over our traditional cultural heritage, this is nistaken for a foreign thing and can occasion the error in making an accurate judgement of it. That is, it is worth to note that Tang-ak-Jung-jae-mu was the dance introduced into the Korean peninsula from the Chinese Tang Dynasty and was recreated as new Jung-jea-mu due to its consistency with Korean sentiments and tradition in the process of adaptation and assimilation. Jung-jae-mu currently performed in the National Classic Music Institute has been reproduced as 43 types of 53 total ones by Kin Chun-hong since the 1980s. This nay be regraded as a part of efforts to maintain and preserve our traditional futures in the face of contemporary way of thinking shaken by readily changing social situations and the precarious situation of the times. Though historical evidence was ascertained as to expressive method, dance movement, dance props, costumes, etc of Jung-jae-mu that appears on the stage and is traditionalized today, it shows a tendency to be decolored and denatured greatly. This can not be seen as a desirable phenomenon Therefore, it is thought that I is anurgent task to restore and reproduce Jung-jae-mu to suit the contemper sense and era while taking advantage of the characteristic of Jung-jae-mu that contains-alike luxurious and simple and static and diverse dance movement rather than making its diverse changes and modification.

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