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논문 기본 정보

자료유형
학술저널
저자정보
저널정보
대한무용학회 대한무용학회논문집 대한무용학회논문집 제69권 제69호
발행연도
2011.1
수록면
131 - 156 (26page)

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초록· 키워드

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The purpose of this study is to interpret the epic of dance for the dance movements of Cheoyong dance 'Sangdea Sangbae dance.' First of all, it was compared with the bibliographic explanation of Jeong-jae-mu-do-hol-gi (Suyangsu-Mureupdipimu in Ak-hak-gue-bem) known as the base of Sangdea Sangbae dance. The result showed many differences, and the comparison between the current dance movements of Cheoyong dance 'Sangdea Sangbae dance' and the choreography of Cheoyong dance initially created in 1929, was made to find out the difference. And, these two Cheoyong dances were compared with the dance movements of 'Jang-saeng-bo-yeon-ji-mu' and 'Yeon-baek-bok-ji-mu' of court dance of five people Jeongjaemu which was performed in Yiwangjik Ahakbu (Yiwangjik Court Music Division) in the Japanese imperial period. The result showed that current Cheoyeong dance and that of 1929 were greatly similar to 'Jang-saeng-bo-yeon-ji-mu' and 'Yeon-baek-bok-ji-mu' in terms of order and formation. Specially, the part of 'Sangdea Sangbae dance' was the one in which Sawubang formation was inserted. Sawubang is the formation appeared in all of the court dances of five people Jeongjaemu like 'Mansumu, Ohyangsun, Choiwhamu, Jang-saeng-bo-yeon-ji-mu, and Yeon-baek-bok-ji-mu.' In addition, it was found that wish for king's longevity became the major content of the court dance of five people Jeongjaemu when the words of song and admiration were observed. Thus, in Korean court dance, the formation of five people Sawubang in 'Sangdea Sangbae dance' can be interpreted as the meaning related with 'longevity.' And what Cheoyong dance used the dance movements of five people Jeongjaemu court dance alternately without resistance in terms of imagnation, means that there is epical common feature. In other words, it can be interpreted that Cheoyong dance 'Sangdea Sangbae dance' contains the wish for 'longevity,' the epic of Korean dance.

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