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As the representative of the nobility literati in Koryo(高麗) dynasty, Chen He(陳澕)"s literary works showed a remarkable picture of the change of the old literati, and his poems showed the overall image of the “clear(淸)” character, emphasized the “Painting-in-Poetry(诗中有画)” of the shape and mind mood, and particularly valued the use of “Rectitude(逸气)” at the time of creation. These are the characteristics of Wang Wei’s poetic style.
Chen Yu on the acceptance of Wang Wei’s poetic style, on the one hand was the development of poetry in the self-understanding and integration of the move, on the other hand also wanted to take Wang Wei’s “elegant landscape poetry” to express their own chest, to pursue the desire for the ideal social innovation.
His poems, are some lyrical, are some freehand, are some seeking the artistic beauty, are some looking for rational thinking. Moreover he melted these things in his poetry. This is both the development of literary works and the need for integration, but also the background of the times and the humanistic mapping of the historical process.
Chen Yu on the acceptance of Wang Wei’s poetic style, on the one hand was the development of poetry in the self-understanding and integration of the move, on the other hand also wanted to take Wang Wei’s “elegant landscape poetry” to express their own chest, to pursue the desire for the ideal social innovation.
His poems, are some lyrical, are some freehand, are some seeking the artistic beauty, are some looking for rational thinking. Moreover he melted these things in his poetry. This is both the development of literary works and the need for integration, but also the background of the times and the humanistic mapping of the historical process.
목차
一、陈澕其人其诗
二、崇尚自然的整体上的“清”意象
三、陈澕诗中的“诗画之风”
四、陈澕诗中的“禅”“禅境”“禅诗”
五、“春风不到峨眉岭”：陈澕诗风的解读
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