지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
This paper is to study a possibility of healing drama for children characters who are faced with crisis and conflict from dysfunctional family on the way to the grandma’s. Dad is thinking of another lady, to whom he becomes addicted and buys many kinds of presents to try to gain the favor of hers. Mom is constantly doubtful of her husband and studies his pleasures even though she knows his wrongful acts. And their three children, Rebecca, Stephen, and Claire are constantly arguing one another in a car. It’s freezing cold outside and one day after Christmas, The Feast of Saint Stephen.
These three children are being manipulated by puppeteers because children are made of puppets. This puppet play is influenced by Japanese traditional Bunraku puppet play. According to the Bunraku tradition, Bunraku puppet play has artistic and characteristic effects by manipulating one puppet with three puppeteers. Their delicate movements enlighten the general spectators with superbly dramatic style, and give them emotional highs and lows. However, Paula Vogel uses Bunraku puppet play as a simplified style focused on some kind of shock and awakening, which makes it look different from the Westerners’ notions. Bunraku puppet play also functions as a meta drama.
On the Christmas service, the minister shows church members Japanese slides concerning artworks in Edo period in Japan, and Stephen is enthralled by Japanese everyday’s common beauty, especially Ukiyo-E, the floating world. He realizes that life is fleeting but beautiful, only after his death from AIDS 15 years later. He is granted to visit this living world as a ghost on the Feast of Stephen’s Day, once in a year. And not until he passes away, he recognizes the real beauty of ordinary life and prevents his two sisters from being dead, one from being frozen to death, the other from suicide.
In the meantime, The Long Christmas Ride Home shows possibilities of healing the past scars from dysfunctional family by using a technique of ‘summoning up the past memory’. The children have unconsciously tried to avoid the most violent scene of their dad’s ever since their family trip on Christmas. But the late Stephen recognizes the distance and perspective of seeing the beauty of life and art by understanding Ukiyo-E, the floating world. Therefore he realizes value of life and starts journey for true self. On the other hands, he helps his sisters find the beauty in the Here and Now, and continue their lives, which means new possibilities of healing the past scars.
These three children are being manipulated by puppeteers because children are made of puppets. This puppet play is influenced by Japanese traditional Bunraku puppet play. According to the Bunraku tradition, Bunraku puppet play has artistic and characteristic effects by manipulating one puppet with three puppeteers. Their delicate movements enlighten the general spectators with superbly dramatic style, and give them emotional highs and lows. However, Paula Vogel uses Bunraku puppet play as a simplified style focused on some kind of shock and awakening, which makes it look different from the Westerners’ notions. Bunraku puppet play also functions as a meta drama.
On the Christmas service, the minister shows church members Japanese slides concerning artworks in Edo period in Japan, and Stephen is enthralled by Japanese everyday’s common beauty, especially Ukiyo-E, the floating world. He realizes that life is fleeting but beautiful, only after his death from AIDS 15 years later. He is granted to visit this living world as a ghost on the Feast of Stephen’s Day, once in a year. And not until he passes away, he recognizes the real beauty of ordinary life and prevents his two sisters from being dead, one from being frozen to death, the other from suicide.
In the meantime, The Long Christmas Ride Home shows possibilities of healing the past scars from dysfunctional family by using a technique of ‘summoning up the past memory’. The children have unconsciously tried to avoid the most violent scene of their dad’s ever since their family trip on Christmas. But the late Stephen recognizes the distance and perspective of seeing the beauty of life and art by understanding Ukiyo-E, the floating world. Therefore he realizes value of life and starts journey for true self. On the other hands, he helps his sisters find the beauty in the Here and Now, and continue their lives, which means new possibilities of healing the past scars.
목차
I. 서론
II. 역기능 가족
III. 분라쿠 인형극과 우키요에
IV. 치유의 드라마
V. 결론
인용문헌
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
영국의 크리스마스 문화에 관한 교차문화적 연구: 미국인의 관점으로 보는 영화 Love Actually
인문사회과학연구
2020 .08
-
조 크리스마스의 비극—트라우마와 정체성
영어영문학21
2019 .01
-
40 Years of a National Ethos : Robert Lord`s `Christmas` Play
새한영어영문학회 학술발표회 논문집
2017 .10
-
Merry Christmas Mr. Lawrence 외
자음과모음
2022 .12
-
기억극/유방극(Memory/Mammary Play): 폴라 보글의 『운전 배우기』
영어영문학
2015 .02
-
[현장] 나를 깨우는 인형극에 푹, 이 즐거움 계속 나누고파요 : 장애인식 인형극 봉사단 ‘그랜마더스클럽’
월간 옥이네
2023 .07
-
전시하 분라쿠의 전쟁협력과 국민교화
일어일문학연구
2019 .01
-
트루먼 카포티의 단편소설에 나타나는 남부인의 포용성
신영어영문학
2020 .11
-
일제침략기 해주구세요양원의 결핵예방과 퇴치를 위한 홍보인쇄자료의 분류와 성격 검토
한일관계사연구
2016 .08
-
배우로서의 인형
인문과 예술
2018 .01
-
제임스 조이스의 ｢가슴 아픈 사건｣과 폴 오스터의 ｢오기 렌의 크리스마스 이야기｣ 속 패러디 기법 비교
제임스조이스 저널
2024 .06
-
[심사평] 인형극으로 본 현대인의 고독과 상실을 잘 녹여내
시조시학
2023 .03
-
동아시아 전통인형극 구음의 보편성과 한국적 독자성
민족문화연구
2017 .08
-
신세계 질서의 불편한 진실을 고하다: ‘빵과 인형 극단’의 예술과 실천
현대영미드라마
2019 .08
-
[현장] 직접 만든 이야기로 전하는 장애인식 개선 인형극_옥천군장애인복지관 ‘그랜마더스클럽’ 장애인식 개선 인형극 현장
월간 옥이네
2024 .09
-
크리스마스 시즌 윈도우 디스플레이에 나타난 의외성
복식문화연구
2017 .01
-
도선(道詵)의 예언서와 정경(鄭經), 그리고 정진인
일본문화학보
2019 .08
-
『외설』에 나타난 혐오의 역사 다시 쓰기
영미어문학
2021 .01
-
The Meanings of Fog and Industrialism in Charles Dickens’s A Christmas Carol
새한영어영문학회 학술발표회 논문집
2019 .10
-
植民地朝鮮における文楽興行
日本學硏究
2015 .01
이 논문의 저자 정보
이 논문과 함께 이용한 논문
[연극] 인도 그림자인형극의 맥, 톨빠바꾸투(Tholpavakoothu) 공연단과의 대화
자야라잔
,
비슈와나타
,
허동성
공연과리뷰
2016
.09
인형극의 이미지 형성과정에 대한 고찰
전원우
,
전병호
한국콘텐츠학회 종합학술대회 논문집
2006
.05
러시아 인형극의 형성과 발전
강수경
코기토
2010
.08
예술가와 시민의 삶, 그 경계에서 : 테오도르 슈토름의 「꼭두각시패 폴레」
송희영
카프카연구
2016
.06
기억극/유방극(Memory/Mammary Play): 폴라 보글의 『운전 배우기』
박경란
영어영문학
2015
.02
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2017-842-000977310