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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This study has tried to understand how <Manseijoen> could be interpreted to in dimension of a social, an ideology, and a history, considering about absurd realities made a fiction in it. This study has especially focused on the facts that it has difficult in any case that a text could have reflected totally realities, and that it has reflected limitedly parts of them thought it could be possible. Thus, the focus of this study has caimed toward a restoration of realities not being in an structure-surface of the narratives, and an interpretation of their meaning. To be sure, these methodology has never been examined enough to how it has been able to secure efficiencies as exquisite instruments of analyses of text, and how it has been able to extend categories of meanings of a text. But it has been permanently sought that new methods and views have tried to articulate of total implications in a literary text. Some existing method have exposed many problems in itself because they have obsessed to narrative-surfaces of texts or have attached importance to some particular context or to explanation of events. In these points, it is full of suggestions that the dialectical study has tried to reach for the totally understanding of the text by reading the background suppressed behind the text. This study has certified real absurdity reflected on the surface structure of <Manseijoen>, and has examined emphatically an intensive intervention of the text into that absurdity. In this result, it has been affirmed that an formative ideological force has effected on the narrative intervention of the text. And It has been argued in dimension of the suggestion of problem that an sharp ideological relationship has been established in <Manseijoen> formulated a mono-confessional text. Finally, this study has tried to argue in the text how the 1919 Independence Movement as a particular social context has been recognized as the dimension of `history` by Sang-Sup Yum. This term of `history` used by Jameson has concept of being able to perceive as a specific moment in which ideological dialogues among classes have struggled a system of signs of variant productive forms. In these arguing, this study has been able to confirm some important facts as follow. The patterns of reality and messages of society in <Manseijoen> has reflected not simply `the context of history` but also the subjective and political voice of text intervening into the absurdities and conflicts. In this time, it is appeared as an ideological from that the method of <Manseijoen> has intervened in the narrative and has solved imaginarily the absurdity of reality. But `the reborn and love` as a method of subject who has tried to solve the absurdity of reality is available to be perceived as `an absurdity in the range of conceptual thoughts` in terms of their age. It is the reason of above that `the reborn and love` has been suggested likely as an imaginary alternative of the author who has tried to solve the fundamental absurdity by which Chosun society in itself had embraced in their age.
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UCI(KEPA) : I410-ECN-0101-2017-810-000974195