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자료유형
학술저널
저자정보
Rie KOIKE (TOKOHA University)
저널정보
한국외국어대학교 아프리카연구소 Asian Journal of African Studies Asian Journal of African Studies Vol.39
발행연도
2016.2
수록면
35 - 49 (15page)

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In the 19<SUP>th</SUP> century, a prominent American writer Mark Twain said, “God made Mauritius first and then modelled Heaven on the island.” Mauritius was mainly a green island with volcanic mountains and dodos. It took a long time for human beings to settle there. It was more difficult to live there permanently than to pay a short visit as a visiting ship’s crew. It is very surprising that Mauritius is one of the most densely populated and mixed cultural countries in the world. Even though it has no indigenous people, it has a 400-year-history of settlers. The first settlers were the Dutch in the 17<SUP>th</SUP> century.
The reality is that the complex ethnic composition of the Mauritian population has been a cause of classification and recognition of individual communities. Mauritius is a multicultural nation. Though there is no explicit racial discrimination, ethnic discrimination exists in indirect forms. For the 46 years of its independence, every successive government of Mauritius has kept struggling for Mauritian-ness, and tried to create and strengthen a sense of national belonging. There is powerful state discourse on this, for example, in the 12 March Independence Day Celebrations. Civil society is also engaged in this endeavour to create a sense of Mauritian-ness. In this paper, through Mutiny, a novel written by South African born Mauritian writer Lindsey Collen, we will see the reality of Mauritius far from its glossy representation as in Tourist brochures.

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Abstract
1. Introduction
2. Of Place: a Prison Cell
3. Of Race: Blood-cell
4. Conclusion
References

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