지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2016.2
- 수록면
- 7 - 31 (25page)
이용수
초록· 키워드
오류제보하기
This paper is an attempt to understand Vernon Lee as a fin-de-siècle intellectual who tried to reconcile Walter Pater’s aestheticism with John Ruskin’s mixed discourses of art criticism, scientific observation and ethics, as well as a writer of original supernatural stories. In A Phantom Lover , the unnamed narrator-painter tells the story of Alice and William Oke, haunted by the ghosts from the 17th century.
For Lee, ghost is a metaphor for the ‘Pasts’ which many Victorian intellectuals tried to evoke to cope with irrevocable past and unpredictable future. And, for Vernon Lee, aesthetic experience means the empathy, feeling into the alterity of the objects, which is the only way of enhancing life of the human species. Alice Oke sees ghost as a thing from the past to disturb her existence as a Tory landowner’s wife and even to transform it into something new which embodies her repressed desires. William Oke gets obsessed, and troubled with his wife’s scandalous engagement with the past, to bring his own destruction as well as his wife’s. The nameless painter tries to capture Alice’s ephemeral, exquisite beauty in vain, while maintaining his position as an artist as a critic, telling the story to an unnamed listener. Instead of capturing Alice’s beauty on his canvass, the narrator only completes his discourse on the failure of Alice’s portrait, revealing the clashes between the act of ‘seeing’ and ‘knowing’, between the object and its representation.
A Phantom Lover is one of the early attempts of Lee’s which shows her desire to get over the aestheticism of Walter Pater and to find a way to combine the ethical and aesthetic experiences. It is also one of the good examples of Lee’s efforts to construct her aesthetic theories in a more popular mode of narrative, a ghost story.
For Lee, ghost is a metaphor for the ‘Pasts’ which many Victorian intellectuals tried to evoke to cope with irrevocable past and unpredictable future. And, for Vernon Lee, aesthetic experience means the empathy, feeling into the alterity of the objects, which is the only way of enhancing life of the human species. Alice Oke sees ghost as a thing from the past to disturb her existence as a Tory landowner’s wife and even to transform it into something new which embodies her repressed desires. William Oke gets obsessed, and troubled with his wife’s scandalous engagement with the past, to bring his own destruction as well as his wife’s. The nameless painter tries to capture Alice’s ephemeral, exquisite beauty in vain, while maintaining his position as an artist as a critic, telling the story to an unnamed listener. Instead of capturing Alice’s beauty on his canvass, the narrator only completes his discourse on the failure of Alice’s portrait, revealing the clashes between the act of ‘seeing’ and ‘knowing’, between the object and its representation.
A Phantom Lover is one of the early attempts of Lee’s which shows her desire to get over the aestheticism of Walter Pater and to find a way to combine the ethical and aesthetic experiences. It is also one of the good examples of Lee’s efforts to construct her aesthetic theories in a more popular mode of narrative, a ghost story.
목차
1. 서론
2. 유령의 실체와 세기말 고딕
3. 감정이입의 미학과 과거의 귀환
4. 시각과 유령의 재현
5. 결론: 버논 리의 심리학적 미학과 유령
인용문헌
Abstract
참고문헌 (38)
참고문헌 신청
Aldrich, Robert, and Garry Wotherspoon. Eds. Who’s Who in Gay and Lesbian History: From Antiquity to World War II. London: Routledge, 2002.
Armitt, Lucie. Contemporary Women’s Fiction and the Fantastic. London: Palgrave Macmillan, 2000.
Auerbach, Nina. Private Theatricals: The Lives of Victorians. Cambridge, MA: Harvard UP, 1990.
Burdett, Carolyn. “Is Empathy the End of Sentimentality?” Journal of Victorian Culture 16.2 (2011): 259-74.
Colby, Vineta. Vernon Lee: A Literary Biography. Charlottesville: U of Virginia P, 2003.
Armitt, Lucie. Contemporary Women’s Fiction and the Fantastic. London: Palgrave Macmillan, 2000.
Auerbach, Nina. Private Theatricals: The Lives of Victorians. Cambridge, MA: Harvard UP, 1990.
Burdett, Carolyn. “Is Empathy the End of Sentimentality?” Journal of Victorian Culture 16.2 (2011): 259-74.
Colby, Vineta. Vernon Lee: A Literary Biography. Charlottesville: U of Virginia P, 2003.
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
애도와 유령: 유령으로서의 문학
비평과이론
2019 .01
-
우아한 유령
자음과모음
2020 .06
-
유령들
자음과모음
2016 .06
-
유령론 외 1편
자음과모음
2018 .06
-
영화의 유령
자음과모음
2022 .03
-
중국 지방정부의 유령도시화 현상 해소를 위한 부동산정책 연구 - 간쑤성 란저우신구를 중심으로
중국학
2021 .09
-
하나의 유령, 극우정치라는 유령이 한국개신교를 떠돌고 있다
제3시대
2019 .11
-
영화 〈동주〉의 공감과 감정이입 : 미적 감정과 상상의 문제
국어교육연구
2018 .06
-
인간의 얼굴을 한 유령, 유령의 얼굴을 한 인간
문학들
2023 .02
-
한중 문헌설화에 나타난 귀신담 - 18세기 이전 작품을 중심으로
동남어문논집
2019 .01
-
토니 모리슨의 『비러비드』와 한강의 『소년이 온다』에 나타난 유령의 양상
동서비교문학저널
2019 .09
-
분석 미학: 무엇을 어떻게
美學(미학)
2018 .12
-
교실 역사 수업에서 감정이입 학습을 위한 제언 -자료 수집과 관점의 변화를 중심으로-
역사교육논집
2021 .01
-
미학자학으로부터 미학으로: 한국으로 건너온 독일 미학의 어제 오늘 내일
美學(미학)
2018 .12
-
Subject Raising Constructions in English
현대영어영문학
2020 .01
-
체리 모라가의 『유령 포기하기』에서 유령의 공간화와 헤테로토피아
새한영어영문학
2018 .11
-
传统与反叛—北美环境美学的理论语境
동양문화연구
2017 .01
-
幽明錄 ‘鬼’ 故事를 통해 살펴본 六朝時期 사회풍조와 鬼文化
동양학
2019 .01
-
융합적 교양교육에 필요한 합목적성과 조화로서의 아름다움
신학과 복음
2020 .06
-
작가의 변 : 창고 유령, 2019
제3시대
2019 .08
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2016-840-002680407