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Analysis on the Inspection to the Process of Transition in North Korean Folk Music – from the Independence Day on aug 15th to 1970s –
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북한 민족음악의 변천과정에 대한 고찰 : 8.15광복으로부터 1970년대까지를 중심으로

논문 기본 정보

Type
Academic journal
Author
Nam, Hee Chul (중국 연변대학교)
Journal
The Institute of Humanities Research in Konkuk Univ. The Journal of the Humanities for Unification Vol.64 KCI Accredited Journals
Published
2015.12
Pages
305 - 327 (23page)
DOI
10.21185/jhu.2015.12.64.305

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Analysis on the Inspection to the Process of Transition in North Korean Folk Music – from the Independence Day on aug 15th to 1970s –
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Abstract· Keywords

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After the independence day of North korea, the leoding of the patty for music has accomplished, What’s more, as the rules set with following elements much as the creation and play of music, spreading to the system under suidance, national assurance towards spreadings, music campaign has specifically strengthened and the natural happening of the creation has been banned.
With the organized activities and the eliminated spontaneity of music. North Korean national music has gone through great changes to form a prospective framework of theme music from the Independence day on aug 15th to 1970s.
The text is the research of the transition process of North korean national music during self-discipline mineralization period(1945-1950s) spatial period (1960s), and Unified period(1970s).
In self-discipline mineralization period, the North korean music basically inherit consciously, and reform working remains the image with the coexist the image mith the coexist of tradition and reformation, the opera which based on Pansori was prevailed. Since spatial period, the korean music proceed drostically screen and comprehensive reform. With that disappear of paradise, the opera which based on folk music and revolutionary ballads was prevailed. In anified period, the national instrument reform enter into the completion stage, and established the orchestral music formation with fully cooperate and party cooperate. <Sea of Blood> 0pera Company Sradually replaced the national opera and prevailed.

Contents

국문초록
1. 머리말
2. 민족음악 자율화시기
3. 민족음악 주체화시기
4. 주체음악 일원화시기
5. 맺는 말
참고문헌
Abstract

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UCI(KEPA) : I410-ECN-0101-2016-001-002223358