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논문 기본 정보

자료유형
학술저널
저자정보
이한나 (국민대학교) 이찬 (국민대학교)
저널정보
한국실내디자인학회 한국실내디자인학회 논문집 한국실내디자인학회 논문집 제24권 제6호
발행연도
2015.12
수록면
58 - 67 (10page)

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이 논문의 연구 히스토리 (2)

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Expressionism is an art trend that prospered in the early 20th century and was represented in art activities in the diverse fields. As capitalism spread and people underwent wars, people`s consciousness became improverished, and it was created by the artists as a re action against this, and notable achievement were made in film art and this is called expressive film which still inspires many artists. The modern age is a multicultural age and art is not limited to one area but influences many fields and interchanges and communicates with one another. This study attempts to analyze how an art trend has been passed down and developed and has influenced modern space. The purpose of this study is to derive the keywords of their characteristics through expressive films and to study how expressionism has been transformed and represented by putting them into modern space and to explore new perspectives and directions. First, the theoretical backgrounds of expressionism and expressive films were examined through the analysis of the existing researches, and the types of the characteristics of the space represented din the films were classified. Based on this the representative expressive films were selected and the keywords of the characteristics of the expressive films were derived. A museum among modern spaces is a space that reflects the art trends and culture of the times and modern spaces are represented best in it. Also, recently the construction of museums has been vitalized and has explosively grown quantitatively and qualitatively, and shows diverse designs to the point that they are called the laboratory of modern architecture, so by analyzing the cases focusing on museums among spaces, the conclusion was derived. As a result, it could be seen that the expressive film space is represented diversely in the museums by the architects` inner desire of expression, centering on nonlinear expression, nonobjective form, and representational perception.

목차

Abstract
1. 서론
2. 표현주의와 표현주의 영화
3. 영화와 공간의 상관성
4. 사례분석
5. 결론
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UCI(KEPA) : I410-ECN-0101-2016-619-002252620