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Analysis of Changes in Television Drama Script Writing System - Focusing on Korean Cable Television's Collective Creation Cases -
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한국 드라마의 집필 시스템 변화 분석 : 케이블 방송의 집단 창작 사례를 중심으로

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Type
Academic journal
Author
Jin Sun Park (고려대학교) Sae Bom Kim (고려대학교) Hun-Yul Lee (고려대학교)
Journal
Munhwa Broading Corporation Broadcasting & Communication Vol.16 No.3 KCI Accredited Journals
Published
2015.9
Pages
5 - 52 (48page)

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Analysis of Changes in Television Drama Script Writing System - Focusing on Korean Cable Television's Collective Creation Cases -
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Research history (2)

2015

Analysis of Changes in Television Drama Script Writing System - Focusing on Korean Cable Television’s Collective Creation Cases -
Jin Sun Pa ,  k ,  Sae Bom Kim Broadcasting & Communication 2015.09 Academic journal
한국 드라마의 집필 시스템 변화 분석 : 케이블 : 방송의 집단 창작 사례를 중심으로
박진선 ,  김새봄 ,  이헌율 한국언론학회 학술대회 발표논문집 2015.05 Proceeding
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Abstract· Keywords

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This research analyzes television drama script writing systems in Korea, and focuses on emerging forms of collective creation systems that try to overcome the conventional practice of sole writership, especially around cable networks. It finds that, nowadays, Korean cable television dramas are written under a few different systems from one writer to collaborative and collective writing systems and a creator system. There are attempts to include producers’ in a writer’s room, from which they were excluded in tradition. The basis of change is the collaboration of traditionally exclusive positions in writing process.
A few industrial elements have brought about this change. First, Korean cable networks, in an effort to differentiate their dramas" from major terrestrial broadcasters’, try to find a new generation of writers for fresh ideas. To complement the inexperience of these new writers and to guarantee production quality, cable networks match them with experienced ones to constitute a collective writing system. Another is an influence from television’s entertainment production practices. Producers and writers migrate to drama more than before, tagging along practices from entertainment program writing such as creative collaboration based on flexibility and openness. The last one is the influence of recent resurging popularity of Hollywood dramas among young generations.
In sum, it finds that collective creation processes are inevitable choices of cable networks to compete with established broadcasters. In the middle of the change, writers in these new systems become parts of a bigger creation mechanism, rather than a traditional sense of a writer as a sole creator.
#집단 창작 시스템 #작가 #드라마 집필 구조 #생산자 연구 #텔레비전 드라마 #Collective Creation Systems #Writers #Television Script Writing Systems #Production Studies #Television Drama

Contents

1. 서론
2. 이론적 배경
3. 연구문제와 연구방법
4. 분석
5. 결론 및 함의
참고문헌
Abstract

References (5)

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김소연. 작가주의 영화이론의 새로운 가능성을 위한 시론. 영화연구. 2012 dbpia 문성철. 외주제작 정책 20년의 성과 평가. 방송과 커뮤니케이션. 2011 dbpia 이기형. 홍대앞 “인디음악문화”에 대한 문화연구적인 분석. 언론과 사회. 2007 dbpia 이정훈, 박은희. 외주제작정책 도입 이후 지상파 드라마 제작 시스템의 변화. 방송문화연구. 2008 dbpia 주창윤. 역사드라마 작가로서 이병훈의 작품 세계. 방송과 커뮤니케이션. 2011 dbpia

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