지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Postmodernism is the spirit of the times we should observe. This is because it made a huge difference of lifestyle, architecture, music, and fine arts. The contingency, disorder, irony emerged as the characteristics of postmodernism and crumbling between genres, intertextuality and self-reflexivity became a part of postmodernism.
This study focuses on the analysis of 〈The Cook, the Thief, His Wife, And Her Lover〉, 〈Dogville〉 which are seeking a novelty and aesthetic experiments through postmodern elements and theatrical forma of Bertolt Brecht such as alienation and exposing theatrical techniques. Two films have a lot in common which passes themes and narratives through theatrical form and creates postmodern images of the cinematic space.
The two works are all that have the characteristics of revenge should be noted. In 〈The Cook, the Thief, His Wife, And Her Lover〉, the thief murders his wife"s lover and thief"s wife kills the thief for revenge of her lover. In <Dogville〉, angelic Grace who has been persecuted by villager avenge them brutally.
The director of 〈The Cook, the thief, His wife, And her Lover〉, Peter Greenaway recognizes his film is a 17th-century tragic revenge, as well as a partially political film. It can be regarded as a fetish or nostalgia about unbridled spending culture of Britain"s Margaret Thatcher regime in 1980"s. As the first film of Lars Von Trier"s" American Trilogy, 〈Dogville〉 deals with American capitalism and the properties of the imperialism.
Through theatrical form these works expose fictional irony, make a mistake of watching film, and keep the distance between the audience and the film. These works also show harmony that can not be in harmony with the characteristics of postmodernism.
This study focuses on the analysis of 〈The Cook, the Thief, His Wife, And Her Lover〉, 〈Dogville〉 which are seeking a novelty and aesthetic experiments through postmodern elements and theatrical forma of Bertolt Brecht such as alienation and exposing theatrical techniques. Two films have a lot in common which passes themes and narratives through theatrical form and creates postmodern images of the cinematic space.
The two works are all that have the characteristics of revenge should be noted. In 〈The Cook, the Thief, His Wife, And Her Lover〉, the thief murders his wife"s lover and thief"s wife kills the thief for revenge of her lover. In <Dogville〉, angelic Grace who has been persecuted by villager avenge them brutally.
The director of 〈The Cook, the thief, His wife, And her Lover〉, Peter Greenaway recognizes his film is a 17th-century tragic revenge, as well as a partially political film. It can be regarded as a fetish or nostalgia about unbridled spending culture of Britain"s Margaret Thatcher regime in 1980"s. As the first film of Lars Von Trier"s" American Trilogy, 〈Dogville〉 deals with American capitalism and the properties of the imperialism.
Through theatrical form these works expose fictional irony, make a mistake of watching film, and keep the distance between the audience and the film. These works also show harmony that can not be in harmony with the characteristics of postmodernism.
목차
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고 문헌
Abstract
참고문헌 (0)
참고문헌 신청이 논문의 저자 정보
이 논문과 함께 이용한 논문
〈도그빌〉 : 이런 얄미운 감독 같으니라구, 감독: 라스 폰 트리에 / 출연: 니콜 키드먼, 폴 베타니 / 178분
박혜란
월간 샘터
2003
.09
영화제작에서의 공간 연출에 관한 연구
최병근
영상기술연구
2011
.12
정지와 운동 사이의 하이브리드 무빙 이미지 : 다비드 클레르부(David Claerbout)의 비디오 설치작품
김지훈
현대미술학 논문집
2015
.06
범죄영화 「이중배상(Double Indemnity)」속 테마음악의 기능적 역할
최유미
,
이승연
한국콘텐츠학회논문지
2015
.03
에드워드 호퍼의 실내공간에 나타난 색채표현 특성 연구
김선영
한국색채학회논문집
2013
.02
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2016-688-001753556