지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Kim Chun-Soo’s skepticism is a powerful motivation in his dynamic process of writing poems. Such skepticism derived from his intellectual earnestness which he had instinctively perceived. However, this study aims to examine his skepticism in relation to his experience of violence done by the Japanese Imperialism.
His first work, in which he narrated his experience as a victim of violence, was “A Girl’s Death in Budapest(부다페스트에서의 소녀의 죽음)”. The experience of violence that he went through in his youth was connected with the civilian massacre in Budapest by the army of the Union of Soviet Socialist Republics. It disclosed the brutality of such lasting violence and effectively represented the victims’ solidarity with the resistance and suffering of the citizens in Budapest.
However, afterwards, his experience of violence in his youth was absent from his poems. Such deletion and repression suggested the mental scars that were left over from his violent experiences. By falling prey to violence waged by the Japanese Imperialism, Kim Chun-Soo in his youth witnessed the concealed realities of himself and others and the veiled aspects of history and ideology as well. In other words, he realized the truth hidden in the dark side of mankind and the world. This became the moment for his meditative insight of human limitation, and falseness and violence of ideology. In the end, he came to be skeptical of all visible things.
Kim Chun-Soo started writing lyrical poems, then examining languages and existences and finally reaching the deconstruction of languages. This process can be said to have been the right road that his skeptical spirit should take, as the skepticism of mankind and the world surely leads to the doubt of languages on which humanities and the world are based. Yet, languages are media and substances of poems, so linguistical skepticism of languages, and linguistical deconstruction of languages are surely to lead to confronting volatile and impossible experiments.
His first work, in which he narrated his experience as a victim of violence, was “A Girl’s Death in Budapest(부다페스트에서의 소녀의 죽음)”. The experience of violence that he went through in his youth was connected with the civilian massacre in Budapest by the army of the Union of Soviet Socialist Republics. It disclosed the brutality of such lasting violence and effectively represented the victims’ solidarity with the resistance and suffering of the citizens in Budapest.
However, afterwards, his experience of violence in his youth was absent from his poems. Such deletion and repression suggested the mental scars that were left over from his violent experiences. By falling prey to violence waged by the Japanese Imperialism, Kim Chun-Soo in his youth witnessed the concealed realities of himself and others and the veiled aspects of history and ideology as well. In other words, he realized the truth hidden in the dark side of mankind and the world. This became the moment for his meditative insight of human limitation, and falseness and violence of ideology. In the end, he came to be skeptical of all visible things.
Kim Chun-Soo started writing lyrical poems, then examining languages and existences and finally reaching the deconstruction of languages. This process can be said to have been the right road that his skeptical spirit should take, as the skepticism of mankind and the world surely leads to the doubt of languages on which humanities and the world are based. Yet, languages are media and substances of poems, so linguistical skepticism of languages, and linguistical deconstruction of languages are surely to lead to confronting volatile and impossible experiments.
목차
Ⅰ. 머리말
Ⅱ. 폭력의 횡포와 억압된 기억
Ⅲ. 세계의 이면과 회의하는 정신
Ⅳ. 마무리
참고문헌
[Abstract]
참고문헌 (16)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
김춘수 초기 시에서 나타난 존재론적 사유의 흔적
한국시학연구
2018 .08
-
감각과 관념의 언어 실험 : 김춘수 초기시에 대하여
한국근대문학연구
2017 .10
-
김현의 김춘수 시 비평 연구
현대문학의 연구
2021 .01
-
김춘수 시에 나타난 유목민족의 이미지
한국문학과 예술
2017 .03
-
해방기 김춘수 시의 영향 관계에 대한 한국 사상적 고찰 - 유치환‧박두진‧서정주 시와의 비교를 중심으로
현대문학이론연구
2016 .01
-
오규원의 초기 시론시에 나타난 언어의식 연구 - 김춘수 시의 인유 양상을 중심으로
한국문예비평연구
2018 .09
-
김춘수의 시와 “예수 체험”의 형상화
국어교육연구
2017 .02
-
김춘수 시에서 개인의 의미
한국시학연구
2019 .08
-
김수영 시인의 연보 고찰 (1) ― 출생에서부터 일본 유학까지
한국시학회 학술대회 논문집
2021 .06
-
｢月英娘子傳｣에 나타난 暴力性의 樣相과 意味
어문연구(語文硏究)
2018 .01
-
김춘수 ‘무의미시’의 제의(祭儀)적 성격 연구
한국시학연구
2016 .08
-
한승원 초기 소설에 드러난 폭력의 두 가지 양상
현대문학이론연구
2016 .01
-
국가폭력인가 집단 간 폭력인가? -인도네시아 1965~66년 학살에 대한 해석들
역사비평
2020 .05
-
1950년대 김수영 시의 공간 인식과 후각의 관련성
현대문학이론연구
2020 .01
-
김춘수의 시와 유년기 체험의 변주
국어교육연구
2016 .02
-
김춘수 시론에서 ‘무의미’와 ‘언어’의 관계 : 시의 현대성과 언어의 관련성을 중심으로
한국시학연구
2017 .08
-
전쟁과 사회: 드포의 몰 플랜더즈와 예이츠의 ｢내전기의 사색｣
한국 예이츠 저널
2019 .01
-
국가와 폭력 -국가가 실패하는 순간에 대한 고찰
역사비평
2020 .05
-
우리말 (외 1수)
중국조선어문
2018 .11
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2016-374-001372056