지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
Chance and coincidence are integral aesthetics of Tacita Dean`s photography book Floh. The found photographs collected from various flea markets constitute this book. They are anonymous photograhps, typically shot to capture moments of everyday life for personal use. However Dean used them as a new artistic medium, situating them in a totally different context from where previously they had been. This dissertation aims to clarify the nature of the book. It examines the particular aspects of the found photographs in terms of a Andre Breton`s concept of “objective chance”, posing questions about how this book itself is a flea market that self ?reflects on itself via characters of the found photographs. In order to find answers, this dissertation explores three main themes.
One is Breton`s “chance encounter”, which Deans adopts as her working method in making Floh. The second theme is the found photographs themselves, marked by traces of unexpected chance occurrences such as technical errors, serendipitous encounters and strange coincidences. These images proliferate throughout Floh and increase the very randomness of the book. The last one is the character of the analogue medium. Drawing attention to traces, doubling and indexicality, Dean emphasizes the analogue medium`s utter openness towards the world and chance, by which she transforms the obsolete medium into a new artistic medium. These are the critical implications that run through Floh on the basis of the logic of rare chance, by which Floh offers the viewer diverse moments of coincidence that would correspond to the viewers` fantasies, imagination and desires.
One is Breton`s “chance encounter”, which Deans adopts as her working method in making Floh. The second theme is the found photographs themselves, marked by traces of unexpected chance occurrences such as technical errors, serendipitous encounters and strange coincidences. These images proliferate throughout Floh and increase the very randomness of the book. The last one is the character of the analogue medium. Drawing attention to traces, doubling and indexicality, Dean emphasizes the analogue medium`s utter openness towards the world and chance, by which she transforms the obsolete medium into a new artistic medium. These are the critical implications that run through Floh on the basis of the logic of rare chance, by which Floh offers the viewer diverse moments of coincidence that would correspond to the viewers` fantasies, imagination and desires.
목차
Ⅰ. 머리말
Ⅱ. 우연과 기회의 아카이브
Ⅲ. 강박적 수집과 다시 찾은 사진
Ⅳ. 카메라의 수용성과 작가의 소멸
Ⅴ. 시간-지워지지 않는 흔적
Ⅵ. 맺음말
참고문헌
ABSTRACT
참고문헌 (0)
참고문헌 신청이 논문의 저자 정보
이 논문과 함께 이용한 논문
Tacita Dean.Contemporary Art, Archive Fever, and Alternative History
Sunhee Jang
서양미술사학회논문집
2013
.08
조엘-피터 위트킨(Joel-Peter Witkin)의 `초상-정물사진` 연구 : 신화와 상징 그리고 패러디
이재걸
서양미술사학회논문집
2016
.08
죽음과 혐오의 사진, 실재의 징후, 그리고 사진의 정신분석학적 계기들 : 안드레 세라노의 <시체 공시소(The Morgue)>를 중심으로
최종철
현대미술학 논문집
2014
.12
사진은 죽음을 어떻게 재현하는가? : 죽음 사진의 유형과 기능
주형일
한국언론정보학보
2014
.11
자서전의 현대적 양상, ‘사진-자서전’ 연구 : 소피 칼의 『진실 된 이야기』의 경우
박선아
프랑스어권 문화예술연구
2013
.05
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2016-650-001087644