지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
The combination of poetry and science was a very important thesis in 1950’s Korean modern poetry. Modernist poets in 1950’s believed that it was a main task of Korean modern poetry to have science characteristic. So, they more radically pursued their aesthetic ideals of the combination of poetry and science than Kim-kirim in 1930’s. This poetic tendency resulted from their strong opposition to traditional poetry of the same age. They thought that traditional poetry to express oriental nature was old-fashioned, and that it was an effective way of innovation of modern poetry to write developed mechanisms and represent contemporary scientific civilization.
Meanwhile, they named themselves a ‘citizen’, which meant a cosmopolitan following international development course. It was regarded a fundamental condition to have science characteristic for establishing cosmopolitan identity. They considered the urgent retention of internationality as a historical precedence, and believed that establishing cosmopolitan identity and securing internationality depended on ‘becoming science’ in themselves. To them, the essence of modernity was the achievement of science. This ideas of 1950’s modernists were created by their senses of cosmopolitan identity and viewpoints of regarding with the best science.
This thoughts about the modernization of Korean poetics were reflected in the representations of scientific technology in 1950’s modern poetry. For example, the ‘earth’ represented a wide residence of cosmopolitans, and a ‘international train’ symbolized their self-image in many poems. Comparing with an sad local train expressing their hidden femininity, a loudly international train embodied the ideal masculinity to desire to possess. But the fact that many advanced products of science and technology were not theirs could not help causing double alienation from their ideals because modernists in 1950’s did not even have partial symbols, namely ‘jet plane’, ‘aircraft’, ‘helicopter’ and so on. Due to this, the poetic representations of scientific technology were often likened to various ‘tearful natures’. This sorrow was necessarily caused by double alienation from high technology and by a failure of establishing strong masculine identity.
Meanwhile, they named themselves a ‘citizen’, which meant a cosmopolitan following international development course. It was regarded a fundamental condition to have science characteristic for establishing cosmopolitan identity. They considered the urgent retention of internationality as a historical precedence, and believed that establishing cosmopolitan identity and securing internationality depended on ‘becoming science’ in themselves. To them, the essence of modernity was the achievement of science. This ideas of 1950’s modernists were created by their senses of cosmopolitan identity and viewpoints of regarding with the best science.
This thoughts about the modernization of Korean poetics were reflected in the representations of scientific technology in 1950’s modern poetry. For example, the ‘earth’ represented a wide residence of cosmopolitans, and a ‘international train’ symbolized their self-image in many poems. Comparing with an sad local train expressing their hidden femininity, a loudly international train embodied the ideal masculinity to desire to possess. But the fact that many advanced products of science and technology were not theirs could not help causing double alienation from their ideals because modernists in 1950’s did not even have partial symbols, namely ‘jet plane’, ‘aircraft’, ‘helicopter’ and so on. Due to this, the poetic representations of scientific technology were often likened to various ‘tearful natures’. This sorrow was necessarily caused by double alienation from high technology and by a failure of establishing strong masculine identity.
#1950년대 모더니즘 시
#시의 과학화
#현대시
#과학기술의 표상
#반(反)-자연
#국제성
#코스모폴리탄
#재소외화
#슬픔
#비애
#남성적 주체
#자기정립
#combination of poetry and science
#Korean modern poetry in 1950's
#representation of scientific technology
#opposition to traditional poetry
#cosmopolitan
#internationality
#double alienation
#sorrow
#establishing masculine identity
목차
국문초록
Ⅰ. ‘시의 과학화’와 그 세대적 전유
Ⅱ. 담론 구축의 이면과 시적 형태
Ⅲ. 재신화화되는 기술표상과 ‘비애’의 감정
Ⅳ. 결론을 대신하여：“문명에 대항하는 비결은/당신자신이 문명이 되는 것”
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Abstract
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