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The Feuilletonismus Literature and Machinism Cogonizance in 1930's - around The Theory of Poem by Kim Kirim
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1930년대 기계주의적 세계관과 신문문예시학 : 김기림을 중심으로

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Type
Academic journal
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Journal
The Korean Poetics Studies Association The Korean Poetics Studies Vol.20 KCI Accredited Journals
Published
2007.12
Pages
393 - 428 (36page)

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The Feuilletonismus Literature and Machinism Cogonizance in 1930's - around The Theory of Poem by Kim Kirim
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The modern literature in 1930's had something to do with the change of literature conditions, which meant the fact that modern journalism was matured. Especially, modern poets recognized the types on newspaper, which was connected with the western Avangard arts. Kim Kirim who as a poet and journalist brought this themes up in his theory of poem. He tried to find the direction of modern poetry through the western Avangard arts. He had a concern for Futurism arts, where he saw the dynamic power and the strong vitality of machine. This is not different from a negative attitude on the machine. This is not only the problem of modernity in 1930's literature. Rather is entangled in the creativity of Chosun's literature. So we have to have the other viewpoints in researching the 1930's literature. For example, 1)the medium character of journalism and feuilletonismus 2)the directions of modernism and the machinism. So some literature texts in 1930's, the texts considered as only the modernism texts, are researched from the other viewpoint. Here, We can think that these texts were got into the cultural pages of newspaper. That is to say, the texts were a kind of feuilletonismus literatures. This is different from ‘pure literature'. So then the creterion interpretate and estimate these feuilletonismus is different from the one does ‘pure literature'. Finally, through this thesis, I emphasized on the necessary of new viewpoint in researching 1930's literatures.
#김기림 #저널리즘 #학예면 #활자 #문인기자 #신문문예 #기계주의 #미래파 #아방가르드 정신 #근대시 #journalism #feuilletonismus #Kim Kirim #Futurism #Avangard arts #machinism

Contents

Ⅰ. 저널리즘 감각과 ‘속도’의 신화
Ⅱ. 윤전기적 감각과 기계주의 시학의 계보
Ⅲ. ‘피에로의 시학’과 경구형 시
Ⅳ. 신문문예의 형식 및 해석, 평가 문제
Ⅴ. 맺음말
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