지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.6
- 수록면
- 283 - 316 (34page)
이용수
초록· 키워드
오류제보하기
This article attempts to explore the structure and changes of the collection of Jeong-hwan Bang and that of So-cheon Kang, which are individual authors’ anthologies published after the 1945 liberation.
Korean juvenile literatures established a new tradition after the 1945 liberation until the 1970s, which was a period where a creation direction of the Korean juvenile literature was designed by collecting and assigning artworks with literary value. Jeong-hwan Bang and Socheon Kang are authors who can be included to the canon genealogy of the Korean juvenile literature history after the liberation until today. Therefore, this article focuses on two authors’ collections reflecting the changes of Korean juvenile literatures. From 1945 to the early 1960s, the value standard to evaluate Korean juvenile literature was not only collecting and excluding a certain genre but also in having literary value. It is the reason that adventurous detective stories could be selected in the planning of individual authors’ collections, and the name of Jeong-hwan Bang got distributed while being symbolized as Korea’s leading children’s book author. In the late 1960s, the collection of Jeong-hwan Bang, however, focused more on his aspect of a children’s rights activist not the reputation as a genuine creative writer.
On the other hand, the collection of So-cheon Kang was first published by Baeyoungsa in 1963. After multiple revisions and improvements in the 1960s and 1970s, it earned a reputation as the leading collection of Korea juvenile literatures. In the discussion of pure juvenile children’s literature initiated in the mid-1960s, the collection of So-cheon Kang was highly acclaimed by the critics and researchers of the time in that it collected and arranged artworks with literary and artistic values. In 1981, Mooneumsa planned the collection of Jeong-hwan Bang and that of So-cheon Kang in 15 volumes. The advertisement of the time greatly promoted that they were an anthology collecting the artworks of the two prominent authors of Korea juvenile literature, Jeong-hwan Bang and So-cheon Kang. In this perspective, it can be learned that Jeong-hwan Bang and So-cheon Kang were publicly acknowledged as a “children’s rights activist” and a leading author of “Sunsumunhak(pure literature)” respectively.
Korean juvenile literatures established a new tradition after the 1945 liberation until the 1970s, which was a period where a creation direction of the Korean juvenile literature was designed by collecting and assigning artworks with literary value. Jeong-hwan Bang and Socheon Kang are authors who can be included to the canon genealogy of the Korean juvenile literature history after the liberation until today. Therefore, this article focuses on two authors’ collections reflecting the changes of Korean juvenile literatures. From 1945 to the early 1960s, the value standard to evaluate Korean juvenile literature was not only collecting and excluding a certain genre but also in having literary value. It is the reason that adventurous detective stories could be selected in the planning of individual authors’ collections, and the name of Jeong-hwan Bang got distributed while being symbolized as Korea’s leading children’s book author. In the late 1960s, the collection of Jeong-hwan Bang, however, focused more on his aspect of a children’s rights activist not the reputation as a genuine creative writer.
On the other hand, the collection of So-cheon Kang was first published by Baeyoungsa in 1963. After multiple revisions and improvements in the 1960s and 1970s, it earned a reputation as the leading collection of Korea juvenile literatures. In the discussion of pure juvenile children’s literature initiated in the mid-1960s, the collection of So-cheon Kang was highly acclaimed by the critics and researchers of the time in that it collected and arranged artworks with literary and artistic values. In 1981, Mooneumsa planned the collection of Jeong-hwan Bang and that of So-cheon Kang in 15 volumes. The advertisement of the time greatly promoted that they were an anthology collecting the artworks of the two prominent authors of Korea juvenile literature, Jeong-hwan Bang and So-cheon Kang. In this perspective, it can be learned that Jeong-hwan Bang and So-cheon Kang were publicly acknowledged as a “children’s rights activist” and a leading author of “Sunsumunhak(pure literature)” respectively.
목차
1. 들어가며
2. 방정환전집: 해방 후 소파를 바라보는 두 가지 시선
3. 강소천전집: 1960년대 이후 ‘순수’의 대표적인 아동문학가
4. 나오며
참고문헌
Abstract
참고문헌 (39)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
방정환 연구에서 생겨난 물음과 해답 찾기 : 염희경, 『소파 방정환과 근대 아동문학』, 경진출판사, 2014.
김경희
아동청소년문학연구
2015
.12
소파와 사계
박상재
아동문학평론
2013
.06
장르의 변화와 서사 전략 : 소파 방정환의 ‘소년소설’ 「졸업의 날」을 중심으로
張貞姬
한국아동문학연구
2012
.12
방정환의 동화론 「새로 開拓되는 童話에 關하야」에 대한 고찰 : 일본 타이쇼시대 동화이론과의 영향 관계
이정현
아동청소년문학연구
2008
.12
어린이 잡지 『새벗』의 성격과 의의 : 1950년대를 중심으로
장수경
아동청소년문학연구
2012
.06
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2015-800-001616896