지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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In the late 1960s and early 1970s, burgeoning alternative spaces featured the outside of the museum-gallery system, along with the proliferation of new art forms such as sitespecific art, performance art, video art, intermedia and mixed-media work. The first alternative spaces were founded as artist-run galleries before the National Endowment of the Arts offered grants under the category of artist workshops in 1972. Around 1973, professional curators and art administrators began establishing more organized alternative spaces. The alternative spaces provided technical support and testing grounds for artists who experimented with new art forms that mainstream museums and galleries hesitated to accommodate.
This paper conducts three case studies of key alternative spaces established in New York City in the early 1970s: 112 Greene Street, The Kitchen, and Artists Space. First, to address how the early alternative spaces opened artistic activity to the urban fabric and to the community, this paper focuses on significant artistic practices at 112 Greene Street. Next, it examines the role of the early alternative spaces in understanding electronic media as an art medium by analyzing selective practices at The Kitchen. Next, this paper addresses how Artists Space catalyzed postmodern practice and established the key terms for the institutionalization of postmodern art and theory. This paper also attempts to provide a picture of the downtown art scene in New York in the 1970s, featured by the three alternative spaces.
This paper conducts three case studies of key alternative spaces established in New York City in the early 1970s: 112 Greene Street, The Kitchen, and Artists Space. First, to address how the early alternative spaces opened artistic activity to the urban fabric and to the community, this paper focuses on significant artistic practices at 112 Greene Street. Next, it examines the role of the early alternative spaces in understanding electronic media as an art medium by analyzing selective practices at The Kitchen. Next, this paper addresses how Artists Space catalyzed postmodern practice and established the key terms for the institutionalization of postmodern art and theory. This paper also attempts to provide a picture of the downtown art scene in New York in the 1970s, featured by the three alternative spaces.
목차
Ⅰ. 머리말
Ⅱ. 112 그린 스트리트 : 건물, 도시 공간, 공동체
Ⅲ. 더 키친 : 전자기술, 비디오, 인터미디어
Ⅳ. 아티스츠 스페이스 : 퍼포먼스, 영화, 포스트모던 픽처스
Ⅴ. 맺음말
참고문헌
Abstract
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UCI(KEPA) : I410-ECN-0101-2015-600-001659888