지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This essay reassess the photography of Francesca Woodman in the context of the discourses of photography in the late 1970s and 80s. I point out that the lack of the analysis of Woodman’s photographic images in postmodernists’ discussions of photography overlooked Woodman’s pursuit of both the conceptual and the aesthetic in her works. By a thorough analysis of Woodman’s photographs, I observe that Woodman’s work not only has a visual and conceptual power that continuously requires the analysis of the photographic image itself, but also has a hybrid condition of the medium that postmodernists claimed to be postmodern. I argue that the emphasis of Woodman being a female artist and approaching her work from the representation of the female body and of female desire also overlook Woodman’s more complex insight into the context of her contemporary art and her exploration of the photography as a multi-faceted medium. Apart from the application of feminist theory and psychoanalysis, I explore how Woodman’s interest in blurring the boundaries among human body/things/space has been represented as photographic images. Furthermore, I explore how Woodman’s radical approach to the photographic medium achieves a photographic image that includes the painterly/sculptural/cinematic/theatrical. Finally, my meta-criticism of postmodernist art criticism through the analysis of Woodman’s photography argues for a photographic theory that is simultaneously aesthetic and conceptual.
목차
Ⅰ. 서론
Ⅱ. 신체/물질/공간의 경계 넘기
Ⅲ. 사진/회화/조각/영화의 경계 넘기
Ⅳ. 모더니즘과 포스트모더니즘의 경계 넘기
Ⅴ. 결론
참고문헌
Abstract
참고문헌 (33)
참고문헌 신청
Armstrong, Carol / 2006 / Women Artists at the Millennium / MIT Press
Art Institute of Chicago / 2011 / Light Years: Conceptual Art and the Photograph, 1964-1977 / Yale University Press
Atkinson, Terry / 1997 / The Impossible Document:Photography and Conceptual Art in Britain 1966-1976 / Camerawork :71~103
Baker, George / 2005 / Photography’s Expanded Field / October 114:120~140
Brenson, Michael / 1986 / Francesca Woodman: Photographic Work / The New York Times
Art Institute of Chicago / 2011 / Light Years: Conceptual Art and the Photograph, 1964-1977 / Yale University Press
Atkinson, Terry / 1997 / The Impossible Document:Photography and Conceptual Art in Britain 1966-1976 / Camerawork :71~103
Baker, George / 2005 / Photography’s Expanded Field / October 114:120~140
Brenson, Michael / 1986 / Francesca Woodman: Photographic Work / The New York Times
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UCI(KEPA) : I410-ECN-0101-2015-600-001659853