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논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2014.2
- 수록면
- 7 - 38 (32page)
- DOI
- 10.16901/jawah.2014.02.40.7
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초록· 키워드
오류제보하기
The so called 〈Pella hydria〉, an Attic vase found at the agora cemetery of ancient Pella in 1980 reveals us the cultural state of the Macedonian society which began to prosper under the rule of King Archelaos at the end of the 5th century BC. Its red-figure scene depicts the contest between Athena and Poseidon over Attica, and many scholars agreed that it was directly adapted from the composition of the Parthenon pediment. The fact that such a mythical subject which regained significant political meaning to the Athenians during the Peloponnesian War also appealed to an anonymous but wealthy citizen of Pella sheds light on the cultural taste of the kingdom of Macedonia in the late classical period. It should be considered as well that the figure of Dionysos whose cult was particularly popular in northern Greece was emphasized in the Pella hydria.
During his reign, king Archelaos reinforced the military and administrative system of the state, and rebuilt the city of Pella as a commercial and cultural center in northern Greece. Macedonia became a major market for Athenian cultural products including red-figured pottery. He also invited prominent artists from southern Greece to his court, which was a significant change of policy in comparison to his predecessors. And these cultural imports spread immediately into the upper society of Macedonia where the king has the complete control of the whole state. It is the cultural heritage of classical Athens which contributed the high advance of Macedonian culture during the late 5th and early 4th century BC. It also became the means of political propaganda for the Macedonian dynasty to appeal to the wider Greek public as we can see in the Panhellenic iconography of the Macedonian coinage in the later period.
During his reign, king Archelaos reinforced the military and administrative system of the state, and rebuilt the city of Pella as a commercial and cultural center in northern Greece. Macedonia became a major market for Athenian cultural products including red-figured pottery. He also invited prominent artists from southern Greece to his court, which was a significant change of policy in comparison to his predecessors. And these cultural imports spread immediately into the upper society of Macedonia where the king has the complete control of the whole state. It is the cultural heritage of classical Athens which contributed the high advance of Macedonian culture during the late 5th and early 4th century BC. It also became the means of political propaganda for the Macedonian dynasty to appeal to the wider Greek public as we can see in the Panhellenic iconography of the Macedonian coinage in the later period.
목차
Ⅰ. 서론
II. 펠라 히드리아
Ⅲ. 마케도니아 사회의 아테네 문화
Ⅳ. 결론
참고문헌
Abstract
참고문헌 (19)
참고문헌 신청
1. [학술지(정기간행물)] - 김혜진 / 2013 / 검은 피부의 사티로스(Satyros): 고대 그리스미술 속 흑인의 이미지 연구 / 서양미술사학회 논문집 (39) : 7 ~ 36
2. [학술지(정기간행물)] - 조은정 / 2008 / 베르기나 대 봉분과 마케도니아 왕조의 정치적 이데올로기 / 미술사학 22 : 195 ~ 226
3. [단행본] - Boardman, John. / 1997 / Athenian Red Figure Vase: The Classical Period / Thames and Hudson
4. [단행본] - Boardman, John. / 2001 / The History of Greek Vases: Potters, Painters and pictures / Thames &Hudson
5. [단행본] - Bonnard, Andre. / 2011 / 그리스인 이야기 3 / 책과함께
2. [학술지(정기간행물)] - 조은정 / 2008 / 베르기나 대 봉분과 마케도니아 왕조의 정치적 이데올로기 / 미술사학 22 : 195 ~ 226
3. [단행본] - Boardman, John. / 1997 / Athenian Red Figure Vase: The Classical Period / Thames and Hudson
4. [단행본] - Boardman, John. / 2001 / The History of Greek Vases: Potters, Painters and pictures / Thames &Hudson
5. [단행본] - Bonnard, Andre. / 2011 / 그리스인 이야기 3 / 책과함께
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UCI(KEPA) : I410-ECN-0101-2015-600-001263015