지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
At the time of liberation Chae Man-sik published 「Mother」 and its adaptations, 「Yeoinjeonki(女人戰紀)」(1944-45) and 「Life of a Woman」(1947). The adaptations of 「Mother」 clearly show the starting point of Chae Man-sik’s historical novels.
「Mother」 describes the customs of the enlightenment period. The novel is set in a farming village and shows a family still governed by patriarchal order, even in the absence of a patriarch. The female protagonists suffer from the contradictions of patriarchal order, yet they can’t realize it. The novel ends by describing one of the protagonists facing ruin in her difficult marriage life.
「Yeoinjeonki」 and 「Life of a Woman」 proceed to a family historical narrative by involving pre-colonial history as well as the customs of the enlightenment period shown in 「Mother」. 「Yeoinjeonki」, which explicilty shows the intention of pro-Japanese collaboration, reconstructs the history of becoming Emperor’s people by portraying a pro-Japanese family from the Russo-Japanese War to the Pacific War. On the other hand, 「Life of a Woman」 reconstructs the history of a newly born nation-state through the story of a revolutionary family during the last period of the Joseon dynasty.
「Life of a Woman」 ends at the point of confirming that the female protagonist’s difficult marriage life is irreversible, however, this novel suggests new possibilities as she is one of the revolutionary family members. At this point Chae Man-sik’s historical novel of the liberation period starts again.
「Mother」 describes the customs of the enlightenment period. The novel is set in a farming village and shows a family still governed by patriarchal order, even in the absence of a patriarch. The female protagonists suffer from the contradictions of patriarchal order, yet they can’t realize it. The novel ends by describing one of the protagonists facing ruin in her difficult marriage life.
「Yeoinjeonki」 and 「Life of a Woman」 proceed to a family historical narrative by involving pre-colonial history as well as the customs of the enlightenment period shown in 「Mother」. 「Yeoinjeonki」, which explicilty shows the intention of pro-Japanese collaboration, reconstructs the history of becoming Emperor’s people by portraying a pro-Japanese family from the Russo-Japanese War to the Pacific War. On the other hand, 「Life of a Woman」 reconstructs the history of a newly born nation-state through the story of a revolutionary family during the last period of the Joseon dynasty.
「Life of a Woman」 ends at the point of confirming that the female protagonist’s difficult marriage life is irreversible, however, this novel suggests new possibilities as she is one of the revolutionary family members. At this point Chae Man-sik’s historical novel of the liberation period starts again.
목차
1. 『어머니』 개작의 문제성
2. 풍속의 시공간
3. 가족사소설로의 전화(轉化)
4. 가족 모델을 통한 역사 재현
5. 마무리
참고문헌
［Abstract］
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UCI(KEPA) : I410-ECN-0101-2014-800-003347485