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논문 기본 정보

자료유형
학술저널
저자정보
서정연 (숭실대학교)
저널정보
한국실내디자인학회 한국실내디자인학회 논문집 한국실내디자인학회 논문집 제18권 제1호
발행연도
2009.2
수록면
27 - 34 (8page)

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Architect Bernard Tschumi had explored a new architectural conception through his own notional devices such as space, event and movement during 1970s. But, among these notions, the concept of movement was ambiguous and difficult to adopt it for architectural design strategy. Because the movements in everyday"s behaviour or in dancing art are significantly different from architectural thought. However he had succeeded in coining the creative notion of movement as almost real body"s and of living flesh. He invented an acute methodology and bold interpretation for his early experimental works. So, this paper tried to understand and analyse his concept of movement focused on his early works. The results of this paper"s discussion are as follows; First, Tschumi"s movement concept is dynamic one operated by desire and can violate space in physical level as well as metaphysical level. Next, the movement performs the role of generator which deforms space or even generate it. Third, his movement can be readable only when you go down and bring it in practice. Also it is unblocked potentiality, undetermined sequential material and unfinished practice. Fourth, when Tschumi"s movement could be thought as walking, this walking movement makes up a story through rhetorical speech acts that are presented by turns and detours.

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Abstract
1. 서론
2. 츄미의 초기 작품들
3. 초기 작품에 있어 움직임의 개념적 성격
4. 결론
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