지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2012.6
- 수록면
- 177 - 193 (17page)
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초록· 키워드
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Recently in youth literatures, new family forms that are different from conventional family paradigm emerge a lot. There are many cases in which the young heroes are raised in single parent family due to divorce, separation by death, one-parent, or in which heroes live with the non-blood-ties-family due to adoption or remarriage of parents. Although it can be regarded that this reflects the change of the family forms in modern period, but in youth literatures, there are many stories that set the disintegrated family as the background.
When one examines the youth novels published in 2011, there are many pieces in which the disintegrated family is not just set as the background of the novel, but family disintegration becomes the important point of conflicts in novel leading the narratives. The conflict of young heroes with parents or disintegrated family itself is the big stem of the narrative, and the composition of the young heroes growing through solving the conflicts with disintegrated family is the main theme. However, the character who causes the problems in youth novel is the grown-up character, and the young characters, or the heroes, are overanxious for solving and understanding the problems caused by grown ups, and they are depersonalized. Also, there may be some risk in which this results in the repetition of the similar story structures, and the family disintegration narratives may fall in the trap of materialism. The family disintegration narratives in youth literature gets confined in ‘growth’ stereotype, and it forces the return to familism and good child syndrome to the youth.
If the youth novels can not get over the stereotype of ‘having to raise’ the young heroes, they may just end up with having similar characters and endings by repeatedly using similar materials. Now, the stories that can face new problems while stepping towards out of the family are needed.
When one examines the youth novels published in 2011, there are many pieces in which the disintegrated family is not just set as the background of the novel, but family disintegration becomes the important point of conflicts in novel leading the narratives. The conflict of young heroes with parents or disintegrated family itself is the big stem of the narrative, and the composition of the young heroes growing through solving the conflicts with disintegrated family is the main theme. However, the character who causes the problems in youth novel is the grown-up character, and the young characters, or the heroes, are overanxious for solving and understanding the problems caused by grown ups, and they are depersonalized. Also, there may be some risk in which this results in the repetition of the similar story structures, and the family disintegration narratives may fall in the trap of materialism. The family disintegration narratives in youth literature gets confined in ‘growth’ stereotype, and it forces the return to familism and good child syndrome to the youth.
If the youth novels can not get over the stereotype of ‘having to raise’ the young heroes, they may just end up with having similar characters and endings by repeatedly using similar materials. Now, the stories that can face new problems while stepping towards out of the family are needed.
목차
Ⅰ. 가족해체서사의 범람
Ⅱ. 몰개성화 된 청소년 주인공들
Ⅲ. 유사한 이야기 구조의 생산
Ⅳ. 가족주의로의 회귀와 착한 아이 증후군
Ⅴ. ‘성장’ 강박관념에 갇힌 청소년 소설
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Abstract
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UCI(KEPA) : I410-ECN-0101-2014-809-000234195