지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
논문 기본 정보
- 자료유형
- 학술저널
- 저자정보
- 발행연도
- 2012.12
- 수록면
- 295 - 320 (26page)
이용수
초록· 키워드
오류제보하기
In this paper, we attempt to interpret the meaning of the work with a new analysis using the 「Kkoma Ok-i」of Lee Wonsoo shown in selfreflexive aspects. Since we consider that the writer outside of the works reflects characters or narrator in works and this influences the writer ’s work, 「Kkoma Ok-i」of Lee Wonsoo has a very high correlation between the writer and the text of the people in the works.
First self-reflexive aspects through a process of character shaping can divide fairy tale writer, I and guide to the world of fairy tales or ‘role’ in charge ‘Kkoma Ok-i’. Distinguishing between the role of the two figures which are the current I and Ok-i in fairy tale considers a selfreflexive aspects. Statement of confession of I, standing on the outside of a fairy-tale strengthens the author’s experience and memories. The unconscious manifestation of the self by Motif of the ‘shadow’ also expresses reflexive aspect.
These self-reflexive aspect acts 「Kkoma Ok-i」as a kind of metafiction. However, the common meta-fiction and the creative process of 「Kkoma Ok-i」leads naturally to connect the fantastic world of fairy tales to reality. Also because of meta-narrative work, we can look at the writer’s identity for ‘fairy tale’. In conclusion, through the selfreflexive aspects of the work, the writer had met a wide variety of selfreflexive ‘I’ and it was followed by healing writing.
First self-reflexive aspects through a process of character shaping can divide fairy tale writer, I and guide to the world of fairy tales or ‘role’ in charge ‘Kkoma Ok-i’. Distinguishing between the role of the two figures which are the current I and Ok-i in fairy tale considers a selfreflexive aspects. Statement of confession of I, standing on the outside of a fairy-tale strengthens the author’s experience and memories. The unconscious manifestation of the self by Motif of the ‘shadow’ also expresses reflexive aspect.
These self-reflexive aspect acts 「Kkoma Ok-i」as a kind of metafiction. However, the common meta-fiction and the creative process of 「Kkoma Ok-i」leads naturally to connect the fantastic world of fairy tales to reality. Also because of meta-narrative work, we can look at the writer’s identity for ‘fairy tale’. In conclusion, through the selfreflexive aspects of the work, the writer had met a wide variety of selfreflexive ‘I’ and it was followed by healing writing.
목차
1. 서론
2. 「꼬마 옥이」에 나타난 자기 반영 양상
3. 자기 반영 양상의 의미화
4. 결론
참고문헌
Abstract
참고문헌 (19)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2014-809-000292184