지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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초록· 키워드
오류제보하기
Once Sa?vri-satya (Relative truth) cannot reach all around after preach, Param?rtha (Ultimate truth) cannot be clearly acquired. Param rtha is, a world of equality and evenness. Sa?vri-satya can be a truth explicitly explained according to reality. It is manifested in a stream of consciousness, whether a polluted mind is revealed or not. Perfuming leads to enlightenment; enlightenment does to calm.
The original Spanish movie Open Your Eyes uses dreams as its subject matter. The fantasy that the movie was able to illustrate resulted in depicting the dreams themselves. People can understand the Vijnapti-matr? of the protagonist, Cesar, through his confusion between the imaginary and reality. One can say that the abstruseness of being idle can be one way of understanding and interpreting the movie. Objectivity and the subjectivity do not exist. Instead, the only thing left is the consciousness which believes that Objectivity and Subjectivity are actually real. What is known as Objectivity and Subjectivity is the world of common sense. “It was the thought of non-existence that rebelled against common sense and later moved toward Vijnapti-matr? in an effort to build a theory which states, “there are no two things such as Objectivity and Subjectivity.” Dreams seem absurd and nonsensical. Dreams only show what we wish to see. Dreams are made known through the unconscious. Vijnapti-matr? perceives the structure of dreams and explains how to overcome it. Dreams can be shared through the help of modern technological innovation, and we can thus narrate the abstruse part of Vijnapti-matr? . There is no subject matter in dreams that must be subjected to understanding.” Dreams are simply futile separation.
The original Spanish movie Open Your Eyes uses dreams as its subject matter. The fantasy that the movie was able to illustrate resulted in depicting the dreams themselves. People can understand the Vijnapti-matr? of the protagonist, Cesar, through his confusion between the imaginary and reality. One can say that the abstruseness of being idle can be one way of understanding and interpreting the movie. Objectivity and the subjectivity do not exist. Instead, the only thing left is the consciousness which believes that Objectivity and Subjectivity are actually real. What is known as Objectivity and Subjectivity is the world of common sense. “It was the thought of non-existence that rebelled against common sense and later moved toward Vijnapti-matr? in an effort to build a theory which states, “there are no two things such as Objectivity and Subjectivity.” Dreams seem absurd and nonsensical. Dreams only show what we wish to see. Dreams are made known through the unconscious. Vijnapti-matr? perceives the structure of dreams and explains how to overcome it. Dreams can be shared through the help of modern technological innovation, and we can thus narrate the abstruse part of Vijnapti-matr? . There is no subject matter in dreams that must be subjected to understanding.” Dreams are simply futile separation.
목차
Ⅰ. 서론
Ⅱ. 시간 ‘사이‘의 찰나적 연출
Ⅲ. 꿈의 여러 가지 다양한 해석과 그 자유로움
Ⅳ. 꿈과 현실의 분기점
Ⅴ. 상식의 세계에 벗어나기
Ⅵ. 결론
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Abstract
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UCI(KEPA) : I410-ECN-0101-2014-800-000304064