지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
This study aims to contextualize the images of Korean movie posters, particularly, of the 1950s and 1960s within its social and cultural setting. Movie posters produced in responding to the boom of Korean movie industry, as the primary visual reference shed a light on the issues regarding to how industrialization, urbanization, and capitalistic values changed the visual culture of Korea in the 1950s and 1960s.
First, I have examined the economic and political circumstance in Korea during the 1950s and 1960s, which led the boom of Korean movie industry, and discuss the distinctive visual elements that differentiate the 1950s-1960s movie posters from earlier ones. Secondly, I have categorized 410 movie posters, which survived today out of 1,799 movies produced in the 1950s and 1960s, under several different thematic categories such as “Split Moral Values,” “Idealized Traditional Values,” and “Westernized Desire.” I attempt to analyze the iconographic relationship of each thematic category with the content of the movie, and the social and cultural circumstance of the 1950s-1960s Korea.
In the category, “Split Moral Values,” accelerated immediately after the Korean war (1950-1953), I have discussed posters, which mainly portray such images as “War Widow,” “Western Princesses (an euphonism for prostitute who particularly served for oversea U.S. soldiers),” “Liberal Lady,” and “Apres Guerre (After War in French).” In the “Idealized Traditional Values,” I have analyzed those that represent the images of a dedicated mother and a hard-working father of the middle class. Finally, in the “Westernized Desire,” I point out that various material goods and its related backdrop image that reflect overflowing consuming culture in the 1950s and 1960s.
The 1950s and 1960s Korean movie posters can be characterized as its straightforward images of consuming culture and its exaggerated rendition of unfiltered desire and emotions. I believe that placing movie posters in the frame of visual culture, and understanding their significance in the cultural and social context will allow us to find out more about how moral and social values had been changed, and gave an impact on popular visual culture in the unstable, yet exciting period of time like the 1950s and 1960s.
First, I have examined the economic and political circumstance in Korea during the 1950s and 1960s, which led the boom of Korean movie industry, and discuss the distinctive visual elements that differentiate the 1950s-1960s movie posters from earlier ones. Secondly, I have categorized 410 movie posters, which survived today out of 1,799 movies produced in the 1950s and 1960s, under several different thematic categories such as “Split Moral Values,” “Idealized Traditional Values,” and “Westernized Desire.” I attempt to analyze the iconographic relationship of each thematic category with the content of the movie, and the social and cultural circumstance of the 1950s-1960s Korea.
In the category, “Split Moral Values,” accelerated immediately after the Korean war (1950-1953), I have discussed posters, which mainly portray such images as “War Widow,” “Western Princesses (an euphonism for prostitute who particularly served for oversea U.S. soldiers),” “Liberal Lady,” and “Apres Guerre (After War in French).” In the “Idealized Traditional Values,” I have analyzed those that represent the images of a dedicated mother and a hard-working father of the middle class. Finally, in the “Westernized Desire,” I point out that various material goods and its related backdrop image that reflect overflowing consuming culture in the 1950s and 1960s.
The 1950s and 1960s Korean movie posters can be characterized as its straightforward images of consuming culture and its exaggerated rendition of unfiltered desire and emotions. I believe that placing movie posters in the frame of visual culture, and understanding their significance in the cultural and social context will allow us to find out more about how moral and social values had been changed, and gave an impact on popular visual culture in the unstable, yet exciting period of time like the 1950s and 1960s.
목차
Ⅰ. 머리말
Ⅱ. 1950-1960년대 한국 영화계와 영화포스터
Ⅲ. 1950-1960년대 한국 영화포스터 이미지 분석
Ⅳ. 맺음말
참고문헌
Abstract
참고문헌 (28)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
한국 영화 포스터에서의 효과적인 의미전달을 위한 이미지 활용에 대한 연구
한국디자인포럼
2005 .01
-
현대 영화포스터의 실태분석과 디자이너의 역할에 미치는 영향 연구
한국디자인포럼
2010 .01
-
한·미 영화포스터의 내용적 측면과 시각적 측면에 관한 내용분석- 역대 박스오피스 순위 톱 50을 중심으로 -
한국디자인포럼
2017 .01
-
눈의 감정표출과 의미작용에 관한 연구 : 영화 포스터를 중심으로
한국디자인학회 국제학술대회 논문집
2003 .05
-
한·중 영화 포스터의 시각적 표현에 대한 비교 연구
한국디자인학회 학술발표대회 논문집
2019 .05
-
오행오색을 활용한 영화 포스터 분석 : 장예모 감독의 영화를 중심으로
한국디자인학회 학술발표대회 논문집
2015 .10
-
겨울왕국 포스터에 반영된 지역문화의 시각적 표현 분석
한국디자인학회 학술발표대회 논문집
2014 .05
-
한국적 아르누보 스타일 연구 : 영화포스터를 중심으로
한국디자인학회 국제학술대회 논문집
2008 .10
-
브랜드 스토리 구축을 위한 영화포스터 몽타주기법의 내재의미 해석
브랜드디자인학연구
2013 .01
-
Color Analysis of Korean Movie Posters by Genre
한국색채학회 학술대회
2007 .03
-
국내 다양성영화 포스터의 시각적 상징성에 관한 연구 : 롤랑바르트의 기호학을 중심으로
한국디자인문화학회지
2015 .03
-
국내 3대 국제영화제의 포스터 디자인에 대한 기호학적 분석
한국디자인문화학회지
2008 .09
-
영화 포스터 이미지의 서사성－영화 <인생은 아름다워> 사례분석－
AURA
2011 .01
-
무빙 포스터 디자인에 영향을 미치는 요소 연구
한국디자인학회 학술발표대회 논문집
2019 .05
-
창의적 아이디어 발상법을 활용한 영화포스터의 제작방향
한국디자인학회 국제학술대회 논문집
2004 .05
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2014-600-000632494