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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This Paper examines a meaning of close-up especially in the context of the concepts of the “microphysiognomy “and “polyphonic play” which are crucial to the film theory of Bela Balazs. The Hungarian Intellectual, Bela Balazs was one of the classical film thinkers who pursuit to construct film theory, whose purpose is to design the model of the ‘visual unconscious’. Among others, Bela Balazs shed light on the function of the camera, which enable the film to incarnate and visualize the subtle emotional oscillation. He also pointed out that function of the close-up as the signification or para-proxemity, i,e, a sort of the effect of identification. In this paper this idea of close-up as autonomous tactic of expression was also exemplified by the newest Korean film <Bleak Night>, which is one of the successful independent films in 2011.
목차
Ⅰ. 서론
Ⅱ. 본론
Ⅲ. 결론
참고문헌
Abstract
참고문헌 (22)
참고문헌 신청
1. [단행본] - 고드로, 앙드레 / 2001 / 영화서술학 / 동문선
2. [단행본] - 발라즈, 벨라 / 2003 / 영화의 이론 / 동문선
3. [단행본] - Balázs, Béla / 2009 / Der Geist des Films (1930) / Suhrkamp
4. [단행본] - Balázs, Béla / 2008 / Der sichtbare Mensch oder die Kultur des Films (1924) / Suhrkamp
5. [단행본] - Bálazs, Béla / 1956 / The Theory of Film / Dennis Dobson Ltd
2. [단행본] - 발라즈, 벨라 / 2003 / 영화의 이론 / 동문선
3. [단행본] - Balázs, Béla / 2009 / Der Geist des Films (1930) / Suhrkamp
4. [단행본] - Balázs, Béla / 2008 / Der sichtbare Mensch oder die Kultur des Films (1924) / Suhrkamp
5. [단행본] - Bálazs, Béla / 1956 / The Theory of Film / Dennis Dobson Ltd
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UCI(KEPA) : I410-ECN-0101-2013-600-003578577