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학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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‘Anastasis’ is a Greek work. Its noun ‘ανασιασιζ’and verb ‘ανισιεμι’ were used when the authors of Bible described how a dead awoke from his sleep or how the dead was delivered from his sins. This word means also the Resurrection of Christ, because the Bible says “Jesus was raised from the dead”.
The Anastasis as a byzantine iconography represents a very special incident, occurred during three day, between the Crucifixion and the Resurrection ; Jesus descended to the Dead and pulled Adam and Eve from the death. The byzantine Anastasis is not a glorious image of Jesus rising from his tomb like European imagery ; the Anastasis represents the original meaning of the word, awakening of the dead, a saving from sin and coming back to the life. Thus, Anastasis translates as ‘resurrection’.
In this article, we tried to explain the etymology, the biblical meaning and the plastic characteristics of Anastasis, including the iconographical origin and its development. The analysis focused on several byzantine paintings and manuscript, especially on the frescoes in Cappadocia ; Tokalı kilise(St. Basil, Goreme), Purenli seki kilise(Irlara), Bahattin Samanligı kilise(Belisirma), St. Barbara(Soganlı), St. Michael(Cemil), and three monastic churches of Goreme(no. 19, 22, 23).
The Anastasis as a byzantine iconography represents a very special incident, occurred during three day, between the Crucifixion and the Resurrection ; Jesus descended to the Dead and pulled Adam and Eve from the death. The byzantine Anastasis is not a glorious image of Jesus rising from his tomb like European imagery ; the Anastasis represents the original meaning of the word, awakening of the dead, a saving from sin and coming back to the life. Thus, Anastasis translates as ‘resurrection’.
In this article, we tried to explain the etymology, the biblical meaning and the plastic characteristics of Anastasis, including the iconographical origin and its development. The analysis focused on several byzantine paintings and manuscript, especially on the frescoes in Cappadocia ; Tokalı kilise(St. Basil, Goreme), Purenli seki kilise(Irlara), Bahattin Samanligı kilise(Belisirma), St. Barbara(Soganlı), St. Michael(Cemil), and three monastic churches of Goreme(no. 19, 22, 23).
목차
1. 들어가는 말
2. ‘아나스타시스’란?
3. ‘아나스타시스’의 도상학적 의미
4. 나오는 말
참고문헌
ABSTRACT
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UCI(KEPA) : I410-ECN-0101-2013-236-002599163