지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
In the Byzantine art history, the Devil has been regarded as a secondary iconographic theme. The Byzance medievale, published by Prof. Cutler and Spieser, does not have any description of the Devil, and among the 347 plates of the book only one is of a demon. It is not too much to say that the Devil is crouching down in the corner of the Byzantine art focused on Jesus Christ, the Theotokos and the saints. The Devil is not a main theme of the Byzantine iconography; the reason is thought to have originated in the small number of remaining art works, but the fundamental reason is that the Christianity is not based on the interest in the Devil’s nature, its origin, and its end.
However, it cannot be denied that the Devil appears throughout the Bible, from the Genesis to the Last Judgment, and the Dogma of Christianity cannot fully explained without the existential meaning of the Devil.
Recently recovered, Cappadocian rock-cut churches furnish some byzantine paintings of demons, which make a fantastic and strong impression; this trouvailles have necessitated a new research which complements the existing iconographical theory.
Iconographical research has been done into individual art work of demon. But, this kind of research into a specific saint or into a specific period has been always inadequate to draw a general iconographical conclusion of demon in the Byzantine art. So we do a diachronic research on byzantine images of the Devil, instead of adding a monographic bibliography of a certain saint and demon. This short article cannot survey every characteristic and meaning of the Diabolus Byzantinus, but it can show how the Devil appeared for the first time in the Byzantine art and why the iconography had been changed with the times. We, also, try to interpret the hidden meaning of a Cappadocian example, the Kar?ı kilise near the town of Gul?ehir.
However, it cannot be denied that the Devil appears throughout the Bible, from the Genesis to the Last Judgment, and the Dogma of Christianity cannot fully explained without the existential meaning of the Devil.
Recently recovered, Cappadocian rock-cut churches furnish some byzantine paintings of demons, which make a fantastic and strong impression; this trouvailles have necessitated a new research which complements the existing iconographical theory.
Iconographical research has been done into individual art work of demon. But, this kind of research into a specific saint or into a specific period has been always inadequate to draw a general iconographical conclusion of demon in the Byzantine art. So we do a diachronic research on byzantine images of the Devil, instead of adding a monographic bibliography of a certain saint and demon. This short article cannot survey every characteristic and meaning of the Diabolus Byzantinus, but it can show how the Devil appeared for the first time in the Byzantine art and why the iconography had been changed with the times. We, also, try to interpret the hidden meaning of a Cappadocian example, the Kar?ı kilise near the town of Gul?ehir.
목차
Ⅰ. 들어가는 말
Ⅱ. 악(惡)과 악마(惡魔)
Ⅲ. 비잔티움의 악마(Diabolus Byzantinus)
Ⅳ. 나오는 말
참고문헌
Abstract
참고문헌 (39)
참고문헌 신청
Barnish, Sam J / 2007 / The Ostrogoths from the Migration period to the Sixth Century: An Ethnographic Perspective / The Boydell Press
Bovini, Giuseppe / 1978 / Ravenna mosaics: The Mausoleum of Galla Placidia, the Cathedral Baptistery, the Archiepiscopal Chapel, the Baptistery of the Arians, the Basilica of Sant' Appollinare Nuova, the Church of San Vitale, the Basilica of Sant' Appolinare in Classe / Phaidon
Cho, Soo-Jeong / 2003 / Les saintes femmes dans les églises byzantines de Cappadoce
Coche de La Ferté, Etienne / 2001 / L’art de Byzance / Mazenod
Cutler, A / 1996 / Byzance médiévale / Gallimard
Bovini, Giuseppe / 1978 / Ravenna mosaics: The Mausoleum of Galla Placidia, the Cathedral Baptistery, the Archiepiscopal Chapel, the Baptistery of the Arians, the Basilica of Sant' Appollinare Nuova, the Church of San Vitale, the Basilica of Sant' Appolinare in Classe / Phaidon
Cho, Soo-Jeong / 2003 / Les saintes femmes dans les églises byzantines de Cappadoce
Coche de La Ferté, Etienne / 2001 / L’art de Byzance / Mazenod
Cutler, A / 1996 / Byzance médiévale / Gallimard
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2014-609-000236042