지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
This paper explores how the idyllic space of the Russian countryside is deconstructed in Post-Soviet Russian cinema. To explain in more detail, it analyses how the bucolic space of the Russian countryside gets disintegrated and turns into a tragical stage for contemporary Russian rural life in Vladimir Khotinenko’s Musul’manin (1995) and Lidiia Bobrova’s Babusia (2003).
The rural Arcadia as expressed both in films is overshadowed and undermined by the Western capitalist and consumerist way of life. For this reason, unlike in the Soviet cinema, in post-Soviet cinema the rural, bucolic space of the Russian countryside no longer provides the Russian people with the positive values for the beautiful life and future. Speaking more concretely, Khotinenko’s film presents the Russian countryside as corrupted by materialism and devoid of tolerance. Likewise, in Bobrova’s film the contemporary Russian village life is under threat by alcoholism, materialism, individualism, and so on.
The rural Arcadia as expressed both in films is overshadowed and undermined by the Western capitalist and consumerist way of life. For this reason, unlike in the Soviet cinema, in post-Soviet cinema the rural, bucolic space of the Russian countryside no longer provides the Russian people with the positive values for the beautiful life and future. Speaking more concretely, Khotinenko’s film presents the Russian countryside as corrupted by materialism and devoid of tolerance. Likewise, in Bobrova’s film the contemporary Russian village life is under threat by alcoholism, materialism, individualism, and so on.
목차
Ⅰ. 들어가는 말
Ⅱ. 『무슬림』의 농촌 공간: 타락한 낙원의 비극상
Ⅲ. 『할머니』의 농촌 공간: 귀향 불가능의 세계상
Ⅳ. 나가는 말
참고문헌
Abstract
참고문헌 (18)
참고문헌 신청
1. [단행본] - Достоевский, Федор / 1976 / Полное собрание сочинений в 30-х томах, том 15 / Наука
2. [학술지(정기간행물)] - / 1996 / СЕГИДА-ИНФО. Фрагменты из информационного Электронного каталога / Искусство кино (4)
3. [학술지(정기간행물)] - Стишова, Елена и Карахан, Лев / 1995 / Мусульманин как пробный камень русской действительности / Искусство кино (9)
4. [학술지(정기간행물)] - Стишова, Елена / 2003 / Мы разучились нищим подавать / Искусство кино (11)
5. [학술지(정기간행물)] - Филимонов, Виктор / 2007 / ‘Одна нога на берегу, другая в лодке’: Русский крестьянин в литературе и кинематографе второй половины 1950-1970-х годов / Историк и художник, (1)
2. [학술지(정기간행물)] - / 1996 / СЕГИДА-ИНФО. Фрагменты из информационного Электронного каталога / Искусство кино (4)
3. [학술지(정기간행물)] - Стишова, Елена и Карахан, Лев / 1995 / Мусульманин как пробный камень русской действительности / Искусство кино (9)
4. [학술지(정기간행물)] - Стишова, Елена / 2003 / Мы разучились нищим подавать / Искусство кино (11)
5. [학술지(정기간행물)] - Филимонов, Виктор / 2007 / ‘Одна нога на берегу, другая в лодке’: Русский крестьянин в литературе и кинематографе второй половины 1950-1970-х годов / Историк и художник, (1)
이 논문의 저자 정보
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0