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자료유형
학술저널
저자정보
저널정보
19세기영어권문학회 19세기 영어권 문학 19세기 영어권 문학 제16권 1호
발행연도
2012.2
수록면
49 - 77 (29page)

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Despite many critics’ claim of the conservative aspect regarding the political position of Walter Scott toward the ‘English’ identity issues, there appear a lot of fissures and ruptures in Ivanhoe to simply define the work as a naive project to reconstruct the English identity based on a peaceful, harmonious assimilation of different races. The Jewess Rebecca, one of the most salient figures in the work, is situated right in the center of conflicts in the recreating process of the new English identity. Rebecca is the very one who exposes the brutal conversion policy of Britain in the name of assimilation. The dominant ethnic groups, the Saxons and the Normans, which would form the future new ‘English identity’ are challenged by her existence, whose presence can be considered an allegory of the contemporary condition of Scotland after the Union. Scott in Ivanhoe very often vacillates between the necessity of assimilation and the consequences of exclusions or erasures of the minor cultures in the assimilation process. Ultimately, he seems to say that there is nothing fixed or permanent, let alone the identity of a people or a nation. All identities are, in fact, changeable, constantly destroyed and recreated by different powers and political necessities. The ‘true’ English identity, therefore, never belongs to some specific groups; any nation or group cannot avoid the vicissitudes of rise and fall, and England and Scotland are not exceptions. The rather fatalistic conclusion of Ivanhoe is reinforced by the exodus of Isaac and Rebecca from Britain; their voices and existences are brutally excluded or erased in the process of making a ‘new’ English identity.

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Ⅰ. 서론
Ⅱ. 작가 스콧과 잉글랜드 화자 템플튼
Ⅲ. 병상의 기사와 변장한 기사, 윌프리드와 리처드 왕
Ⅳ. 레베카, 영국 정체성에 대한 도전자
Ⅴ. 결론
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