지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
오류제보하기
When Korean films are reviewed, the periods of 1940’ in the Japanese ruling last era and the 1970’ in the period of Yushin resime have continuously provoked controversy and be said as the dark ages. The films in these two periods were subjected to government power so that they were deprived their freedom of creative activities by the control and censorship. These control and censorship were also intervened in the process of film production, and resulted in the publicity films of national policies.
It was very natural that the film industry dominated by government power was subordinated by them. In the films produced aforesaid two periods, we can easily find out such subordination through being represented the propaganda ideology. In this thesis, I have tried to check facts of the times which were that ; to revise of the films regulation by making amendment legislation, to set up the control organization by the revision of the films regulation, and finally to produce the publicity films of national policies by the control organization. For checking the ideology of propaganda and agitation at that time, I’d like to analyze 〈Chosun Hayeop〉 directed by Park Gi Chae and 〈Jeungeun〉 directed by Lim Kwontaek which are the kind of representative for the publicity films of national policies.
Though the political and social circumstances of 〈Chosun Hayeop〉 and 〈Jeungeun〉 were different, I can find out that those two movies was surely tried to spread the specific aimed national ideology.
I can see that they adopted the form of melodrama so that they expected to spread the effective propaganda ideology to the public. And the feminine form, the military draft, the propaganda ideology for anti-communism that were required the national demand of that times have been reconfirmed in those movies as well.
As the medium of film have a great ripple effect to the people, the government power was eagle to govern and control it as the effective instrument of propaganda and agitation by making amendment legislation, setting up the control organization. What I could find out in those two films that they were the reflection of the era, used for political instrument and propaganda char
It was very natural that the film industry dominated by government power was subordinated by them. In the films produced aforesaid two periods, we can easily find out such subordination through being represented the propaganda ideology. In this thesis, I have tried to check facts of the times which were that ; to revise of the films regulation by making amendment legislation, to set up the control organization by the revision of the films regulation, and finally to produce the publicity films of national policies by the control organization. For checking the ideology of propaganda and agitation at that time, I’d like to analyze 〈Chosun Hayeop〉 directed by Park Gi Chae and 〈Jeungeun〉 directed by Lim Kwontaek which are the kind of representative for the publicity films of national policies.
Though the political and social circumstances of 〈Chosun Hayeop〉 and 〈Jeungeun〉 were different, I can find out that those two movies was surely tried to spread the specific aimed national ideology.
I can see that they adopted the form of melodrama so that they expected to spread the effective propaganda ideology to the public. And the feminine form, the military draft, the propaganda ideology for anti-communism that were required the national demand of that times have been reconfirmed in those movies as well.
As the medium of film have a great ripple effect to the people, the government power was eagle to govern and control it as the effective instrument of propaganda and agitation by making amendment legislation, setting up the control organization. What I could find out in those two films that they were the reflection of the era, used for political instrument and propaganda char
목차
1. 들어가는 말
2. 지배체제의 강화와 영화정책의 변화
3. 통제영화회사의 설립과 국책선전영화의 제작
4. 조영의 군사영화와 영진공의 전쟁영화의 특징: 〈조선해협〉(1943)과 〈증언〉(1973)을 중심으로
5. 나가는 말
참고문헌
Abstract
참고문헌 (2)
참고문헌 신청
이 논문의 저자 정보
이 논문과 함께 이용한 논문
일제시기 영화제도에 관한 연구 : 영화관 추이를 중심으로
김려실
영화연구
2009
.09
1920년대 전반 조선총독부의 선전영화 제작과 상영
배병욱
지방사와 지방문화
2006
.11
1920년대 초반 조선의 영화산업과 조선영화의 탄생
한상언
영화연구
2013
.03
일제말기 합작선전영화의 분석
김려실
영화연구
2005
.08
A Study on the Origins of Cultural Films in Korea : A Focus on Films by the Japanese Government-General of Korea
Kim Ryeosil
International Journal of Korean History
2014
.08
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2013-600-001167469