지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
The Father portrays a tragedy of a man and his wife struggling for the possession of their child. The father, a cavalry captain, is intellectual, a freethinker, and a man of ideas. His wife is narrow, selfish, and unscrupulous in her methods when her antagonism is wakened. While the father's love is concerned with the development of the child, that of the mother is focused mainly in the possession of the child. Therefore, she fights the man with every means at her command, even to the point of instilling the poison of doubt into his mind, with implicating that he may not be the father to the child. Not only does she seek to drive her husband mad, but through skillful intrigue, she makes every one, including the Doctor, to believe that he is actually insane. Robbed of his faith, broken in spirit and subdued, the captain dies as a victim of the Earth Spirit - of motherhood, which slays the man for the sake of the child.
The mimesis of The Father contains sufficient plausible details and it concentrates upon the relationship between the male and the female that is so focused that the play almost becomes an abstraction of the essential tension between the two individuals' different goals and will. In The Father, the captain cannot muster the virility, desperate as he should be, to win this battle over the power. Laura, on the other hand, is clearly the 'terrible mother,' the all-consuming, all-powerful, exaggerated new-woman, like a predator strategically hunting down her prey. Laura who has become all mighty in the house simply determines who is the father to the daughter. The tragedy is the fact that the father needs all the power and help but he is incapable of having neither of them. Futhermore, he cannot tolerate that anyone else but he has the power over the house.
Frye's critical and archetypal method are particularly valuable as the basis for an examination of The Father, because it controls the tendency to examine the play primarily in terms of Strindberg's own psychic aberrations and demonstrates the universality rather than the uniqueness of the play. The action of Strindberg's play is certainly clarified if the Captatin's surrender to his wife is read as the archetypal action of the submission of the male to the female which is manifested in such mythical surrenders as that of Hercules to Omphale, Adam to Eve, and Samson to Delilah. Certainly the captain was caught in a Black Widow's web, unlike Agamemnon trapped and destroyed by Clytemnestra.
The mimesis of The Father contains sufficient plausible details and it concentrates upon the relationship between the male and the female that is so focused that the play almost becomes an abstraction of the essential tension between the two individuals' different goals and will. In The Father, the captain cannot muster the virility, desperate as he should be, to win this battle over the power. Laura, on the other hand, is clearly the 'terrible mother,' the all-consuming, all-powerful, exaggerated new-woman, like a predator strategically hunting down her prey. Laura who has become all mighty in the house simply determines who is the father to the daughter. The tragedy is the fact that the father needs all the power and help but he is incapable of having neither of them. Futhermore, he cannot tolerate that anyone else but he has the power over the house.
Frye's critical and archetypal method are particularly valuable as the basis for an examination of The Father, because it controls the tendency to examine the play primarily in terms of Strindberg's own psychic aberrations and demonstrates the universality rather than the uniqueness of the play. The action of Strindberg's play is certainly clarified if the Captatin's surrender to his wife is read as the archetypal action of the submission of the male to the female which is manifested in such mythical surrenders as that of Hercules to Omphale, Adam to Eve, and Samson to Delilah. Certainly the captain was caught in a Black Widow's web, unlike Agamemnon trapped and destroyed by Clytemnestra.
목차
Ⅰ. 들어가는 말
Ⅱ. 「아버지」의 원형비평
Ⅲ. 나가는 말
참고 문헌
참고문헌 (19)
참고문헌 신청
함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
My Father
Korea Journal
1983 .11
-
아버지 상의 사적(私的)변화 양상 : 90년대 이후 소설을 중심으로
비평문학
2010 .06
-
대하소설에 나타나는 부모-자녀 관계 연구 －잘못한 자녀에 대한 부/모의 태도를 중심으로－
국어국문학
2019 .12
-
Desiring my Father's Death : Fathers and Children in Shakespeare
신영어영문학회 학술발표회 자료집
2000 .02
-
윌리 로먼의 자화상 : 아버지의 부재라는 트로마
현대영미드라마
2003 .12
-
The Glass Menagerie : 부재하는 아버지 되살리기
현대영미드라마
2002 .08
-
Fathering in Christian Education
Journal of Christian Education & Information Technology
2006 .10
-
남성 한부모의 자녀교육사역에 대한 실천신학적 접근
신학연구
2012 .06
-
Father and Son
Korea Journal
1972 .07
-
유아의 정서지능과 아버지의 양육행동과의 관계
생애학회지
2011 .01
-
뢰트키 시에 나타나는 아버지의 상징적 의미
영어영문학연구
2010 .01
-
Naturalism, Culture and the Will to Power in August Strindberg's The Father and Miss Julie
신영어영문학
2007 .08
-
조선후기 시가에 나타난 부권 상실의 흔적들
韓國古典硏究
2019 .01
-
The Role of Father in Christian Education: A Child’s Image of God through Father’s Education
기독교교육 논총
2007 .01
-
Pathos of a Father
신학연구
1987 .09
-
A Study of the Terms for ‘father’ in Gothic
어학연구
2005 .12
이 논문의 저자 정보
이 논문과 함께 이용한 논문
문학비평가로서의 샤토브리앙에 관한 시론 : 신문 · 잡지에 발표된 ‘서평’들을 중심으로
이순희
외국문학연구
2013
.02
로베르트 슈나이더의『잠의 형제』에 나타난 수사(학)적 양상에 대한 고찰
안미현
외국문학연구
2013
.02
카를로스 데 시구엔사 이 공고라의 『알론소 라미레스의 불행』에 나타나는 바로크적 주체로서의 크리오요
송상기
외국문학연구
2013
.02
대통령의 헌법상의 지위와 권력비판의 올바른 방향
김종철
언론과법
2005
.12
만남, 정체성, 유년의 기억 : 리네 크누트손 Line Knutzon의 작품과 중심 테마 분석
홍재웅
외국문학연구
2011
.05
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2012-705-003611111