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자료유형
학술저널
저자정보
저널정보
한국외국어대학교 외국문학연구소 외국문학연구 외국문학연구 제19호
발행연도
2005.2
수록면
137 - 155 (19page)

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초록· 키워드

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Heidegger made a great contribution to the sum total of Holderlin studies. There are many essays by Heidegger dealing with specific poems by Holderlin. In addition, Heidegger published some essays on the poetic work directly inspired by Holderlin. He frequently made allusions to Holderlin in several other works. One needs to ask what is the place of Heidegger's essays on Holderlin in his own philosophical works.
Heidegger's excentrical method is directly from the premises of his philosophy; it is inseparable from Heidegger's very thought in relation to the poetics. To understand the literary reception of Heidegger's essays, one must remember the special circumstances of the reception of Holderlin's works. Throughout the nineteenth century, Holderlin was entirely forgotten. Following the new discoveries of his works, Holderlin exercised considerable influence on the literary circle. Today, he is taken not only as the most important figure of German romanticism but as one of the great poets of the West.
According to Heidegger, Holderlin is one of the great poets because he states the essence of poetry. The essence of poetry consists in stating the absolute presence of “Being”: his word is Being present. Holderlin is the only one whom Heidegger cites, for it is Being's essence to reveal itself by hiding in that which it is not. He can name it and that he says the truth is apparent only to the poet.

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Ⅰ. 서론
Ⅱ. 하이데거의 예술철학
Ⅲ. 존재의 창조로서의 시
Ⅳ. 횔덜린의 찬가
Ⅴ. 결론
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