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연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
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Spiegelmensch(1920), which is regarded as an expressionistic Faustdrama in the aspect of theme and form, is Werfel's the most laborious work and the first full-scale drama dealing with mutual complications between the existent-ego and the virtual-ego as two splitted partners of one human ego. This paper investigated the process of that hero Thamal, who experienced the dissociation of ego and escaped from the world of spirit represented by monastery, the world of logos. Thamal committed triple sins for the past, present and future while going around all over the world of eros that is the stage of temptation and test, and the world of mirror-value that is unreliable and untrue of honor, power, pleasure... etc. with Mirror Man who is the second ego (Doppelganger) of the hero and finally relieved by the authentic atonement and penitence. The relation between Thamal and Mirror-Man, and that between Thamal and his lover Ampheh in this process, remind us of the relation between Faust and Mephisto, and Faust and Gretchen in the Faust of Goethe. In addition, it is confirmed that this drama is also a kind of relief drama like Faust as the hero finally obtains the spiritual calmness after he overcomes all of the temptations and tests.
Writer's primary concern above all is that he urges contemporary mankind to go on the road to the penitence and relief by presenting their distorted features. Therefore, Spiegelmensch is the drama of purification or self-relief. Especially, this drama describes the road to the self-relief from division and discord through the relief process by woman. This fantastic drama dealing with two true character of human-being is a kind of human self-representation in which the writer tries to clearly present his inner-division and tragic discord by the expressionistic voice. In other words, Spiegelmensch is a semi-autobiographical work that certified us of writer's pledge that he will go on the new road escaped from vanity and insanity. With this drama, Werfel finished his period of expressionism and came to have a critical viewpoint against this literary movement. Also, regarding the entire world of Werfel's literary works, this drama is regarded as an indispensible action of self-release in order to reach the objective literary form from the subjective creative form such as a lyric. Namely, Werfel is groping for a new change in his creative work by the alternative form as drama.
Writer's primary concern above all is that he urges contemporary mankind to go on the road to the penitence and relief by presenting their distorted features. Therefore, Spiegelmensch is the drama of purification or self-relief. Especially, this drama describes the road to the self-relief from division and discord through the relief process by woman. This fantastic drama dealing with two true character of human-being is a kind of human self-representation in which the writer tries to clearly present his inner-division and tragic discord by the expressionistic voice. In other words, Spiegelmensch is a semi-autobiographical work that certified us of writer's pledge that he will go on the new road escaped from vanity and insanity. With this drama, Werfel finished his period of expressionism and came to have a critical viewpoint against this literary movement. Also, regarding the entire world of Werfel's literary works, this drama is regarded as an indispensible action of self-release in order to reach the objective literary form from the subjective creative form such as a lyric. Namely, Werfel is groping for a new change in his creative work by the alternative form as drama.
목차
Ⅰ. 서론
Ⅱ. 거울
Ⅲ. 유혹과 시험
Ⅳ. 창문-개전의 과정과 구원
Ⅴ. 결론
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