지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
초록· 키워드
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This study presents Legs in the Sky, a medium-length novel by Choi In-hoon, reread from the perspective of “novel theory written with novels.” Choi exhibits the typical features of a kind of meta-narrative writing, analytically reflecting upon the definition of novel and creating a story through constant theoretical searches for literature while writing one. Legs in the Sky is especially noteworthy, intensively revealing his fierce consciousness of problems and logic regarding the ways literature and art exist.
Choi explores if pictorial abstraction can be a form of novels by comparing the images of visual hallucinations of “legs in the sky” with Cezanne’s “apple” paintings. In his paintings, Cezanne makes the depth and nature of “actual presence” of objects abstract, graduating from realism that paints objects in the way of reproduction. Choi understood novels from the perspective of semi-realistic “fantasy,” in which sense his novel theory shares similar veins with Cezanne’s paintings. However, Legs in the Sky shows a converting perception that novels should be implemented in the context of reality that leads to historical imagination instead of subjective fantasy or pictorial abstraction. What is worth noting here is that Choi’s thinking of historical philosophy. Emphasizing the definite need to restore the past history that has been lost and provide explanations about it from the viewpoint of civilization criticism, he reaches a self-reflective perception that exploring history between “primitive state” and “civilization” should be the form and content of novels. That is the ultimate message he sends to himself through Legs in the Sky that is his “novel theory written with novels.”
Choi explores if pictorial abstraction can be a form of novels by comparing the images of visual hallucinations of “legs in the sky” with Cezanne’s “apple” paintings. In his paintings, Cezanne makes the depth and nature of “actual presence” of objects abstract, graduating from realism that paints objects in the way of reproduction. Choi understood novels from the perspective of semi-realistic “fantasy,” in which sense his novel theory shares similar veins with Cezanne’s paintings. However, Legs in the Sky shows a converting perception that novels should be implemented in the context of reality that leads to historical imagination instead of subjective fantasy or pictorial abstraction. What is worth noting here is that Choi’s thinking of historical philosophy. Emphasizing the definite need to restore the past history that has been lost and provide explanations about it from the viewpoint of civilization criticism, he reaches a self-reflective perception that exploring history between “primitive state” and “civilization” should be the form and content of novels. That is the ultimate message he sends to himself through Legs in the Sky that is his “novel theory written with novels.”
목차
1. 머리말
2. 반리얼리즘의 서사 지향과 논리
3. 회화적 추상과 소설의 형식
4. 역사철학적 상상력과 리얼리즘의 서사
5. 맺음말
【참고문헌】
【Abstract】
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UCI(KEPA) : I410-ECN-0101-2010-809-003031990