지원사업
학술연구/단체지원/교육 등 연구자 활동을 지속하도록 DBpia가 지원하고 있어요.
커뮤니티
연구자들이 자신의 연구와 전문성을 널리 알리고, 새로운 협력의 기회를 만들 수 있는 네트워킹 공간이에요.
이용수
초록· 키워드
오류제보하기
Recent growth of the Korean art market reached its peak at the end of 2007, when the global economy and art markets experienced booms, having started its growth when an oligopolistic market structure of auction houses developed from the end of 2005. During this period, Korea's representative art fair, KIAF had grown 209% annually for 3 years, galleries traded art works through various exhibitions and art fairs, and the number of auction houses increased rapidly as the amounts of successful bids expanded. However, the domestic art market sharply declined at the end of 2007 when the global economy went into a recession, experiencing a serious depression in 2008 and up until the first quarter of 2009.
The objective of this research is to enhance understandings about changes in the size of the Korean art market, its relationship with business cycles and implications by examining the expansion and contraction phases of the market, viewing the 2005-2009 period as a business cycle. For this goal, this paper utilizes the statistics on the total sales of major galleries recorded in the electronic public notice system of the Financial Supervisory Service, the publicly-announced amounts of sales of art fairs, and amounts of successful bids in the auction markets, art funds, exports and imports of art works shown on the Korea Customs Service homepage.
This paper focuses on measuring the market size and its change for 5 years of recovery, boom, contraction and depression, dividing the period into the boom and development phase of the art market from 2005 to 2007 and the depression and structural change phase in 2008 and 2009. It also shows that the boom and bust of the domestic art market involved the effects of economic factors, major art-related socio-political events, and the vulnerability and problems of domestic art markets.
During the boom, there was growth factors such as economic factors, the impact of cultural industry development, and internal market changes, which led to the increases in the sales and number of galleries and their overseas branches, establishments of auction houses, amounts of successful bids, the debut of art funds and the provision of art works by private banking centers of commercial banks and department stores.
In the depression period, we could observe market disturbances from decreases in exhibitions and sales of galleries, sharp declines in the amounts of successful bids, plummeting exports and imports due to the global economic recession and soaring oil prices. Yet, we should mention some positive factors for development such as informationization of the market, increased research, and forecasts for recovery, etc.
The domestic art market has changed dramatically through the business cycle, and the government, firms and individuals participating in the market obtained the valuable knowledge on recovery of trust, establishment of the appraisal system, price determination, cultivation and training of art-market experts, cooperation of art museums and art markets, etc. The most crucial implication is that the art market also experiences changes linked to other capital markets such as securities and real estate markets and the national and global economy.
The objective of this research is to enhance understandings about changes in the size of the Korean art market, its relationship with business cycles and implications by examining the expansion and contraction phases of the market, viewing the 2005-2009 period as a business cycle. For this goal, this paper utilizes the statistics on the total sales of major galleries recorded in the electronic public notice system of the Financial Supervisory Service, the publicly-announced amounts of sales of art fairs, and amounts of successful bids in the auction markets, art funds, exports and imports of art works shown on the Korea Customs Service homepage.
This paper focuses on measuring the market size and its change for 5 years of recovery, boom, contraction and depression, dividing the period into the boom and development phase of the art market from 2005 to 2007 and the depression and structural change phase in 2008 and 2009. It also shows that the boom and bust of the domestic art market involved the effects of economic factors, major art-related socio-political events, and the vulnerability and problems of domestic art markets.
During the boom, there was growth factors such as economic factors, the impact of cultural industry development, and internal market changes, which led to the increases in the sales and number of galleries and their overseas branches, establishments of auction houses, amounts of successful bids, the debut of art funds and the provision of art works by private banking centers of commercial banks and department stores.
In the depression period, we could observe market disturbances from decreases in exhibitions and sales of galleries, sharp declines in the amounts of successful bids, plummeting exports and imports due to the global economic recession and soaring oil prices. Yet, we should mention some positive factors for development such as informationization of the market, increased research, and forecasts for recovery, etc.
The domestic art market has changed dramatically through the business cycle, and the government, firms and individuals participating in the market obtained the valuable knowledge on recovery of trust, establishment of the appraisal system, price determination, cultivation and training of art-market experts, cooperation of art museums and art markets, etc. The most crucial implication is that the art market also experiences changes linked to other capital markets such as securities and real estate markets and the national and global economy.
목차
Ⅰ. 머리말
Ⅱ. 2005~2007년 경기호황과 미술시장의 발전
Ⅲ. 2008~2009년 경기침체와 미술시장의 변화
Ⅳ. 경기변동과 미술시장
Ⅴ. 맺음말
참고문헌
Abstract
참고문헌 (0)
참고문헌 신청함께 읽어보면 좋을 논문
논문 유사도에 따라 DBpia 가 추천하는 논문입니다. 함께 보면 좋을 연관 논문을 확인해보세요!
-
한·중·일 미술시장과 경기변동 : 2005～2009년 미술시장을 중심으로
현대미술학 논문집
2010 .12
-
중국 미술시장의 성장요인에 관한 연구
현대미술학 논문집
2011 .12
-
글로벌 현대미술과 ‘글로벌 경제위기’의 상관성과 그 의미
현대미술학 논문집
2009 .12
-
서구 미술시장의 양상 : 역사적 고찰
현대미술학 논문집
2012 .12
-
현대미술과 시장 : 예술의 자율성과 자본의 힘 사이에서
현대미술학 논문집
2009 .12
-
모두를 위한 엘리트주의 : 공동체적 가치의 담론 장場으로서 미술비평
현대미술학 논문집
2009 .12
-
MARKET
한국디자인학회 국제초대전도록
2015 .10
-
1950년대의 한국미술(1), 제1공화국 미술의 태동과 진통
미술사논단
2015 .06
-
‘움직이는 조각’과 공연예술
서양미술사학회논문집
1990 .12
-
현대미술 감상 및 표현수업 지도방안 연구 - 실험적 관점에 의한 7가지 방법론을 중심으로 -
조형교육
2009 .01
-
1960년대 이후 한국 현대미술에 관한 사회학적 논의 : 브르디외(Pierre Bourdieu)의 ‘자본’ 개념을 활용한 사회구조적 분석
미술사연구
2009 .12
-
무용과 과학기술을 융합한 그룹 E.A.T.에 관한 연구
무용예술학연구
2019 .01
-
Glocalization 시대의 현대미술
현대미술학 논문집
2006 .12
-
미술비평의 효용성에 대해 다시 묻는다 : 아서 단토의 ‘미술종말론’에 대한 비평적 독서
현대미술학 논문집
2006 .12
-
미술연구의 학문적 특성과 범주
미술문화연구
2013 .12
-
지역 미술과 권력
미술이론과 현장
2005 .01
-
예술과 경제
현대미술학 논문집
2009 .12
-
현대 미술비평의 난점과 그 대안
현대미술사연구
2001 .05
-
노마디즘 공간적 특성을 적용한 미술대학 공간계획에 관한 연구
한국실내디자인학회 학술대회논문집
2019 .11
이 논문과 함께 이용한 논문
최근 본 자료
댓글(0)
0
UCI(KEPA) : I410-ECN-0101-2010-605-003265292