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On the 19th century, modern ideas. modern thoughts were reflected not only upon politics but culture and art, and therefore formed the representative currency of the respective periods. If realism concentrates its attention on the subject. 'how do we live?'. Then in the case of modernism, it asks, 'by what way do we have to live?'. However, the two trends in thought have a common point in that reason is respected and a reasonal world view is pointed to in them. (that they respect reason and point to a reasonal world view) And another representative artistic trend was an Avant-garde movement in Europe, which also reflected modern characteristics.
The meanings of the word modernism are various, so when we mention in reference to the 20th century's forms of art, especially to the 20th century's literature, it is used very well.
During the period from 1910s to '30s, the term, modernism, freed itself from the attitude of having general sympathy with modern things and had a more special relationship with the artistic experimental consciousness. This period went through the disordered state brought about by World War I and the economic panic. However, it was a period of great creation on the cultural dimension.
A strange tension against the complex and varied world was centered on the modernist-writers' fundamental awareness. The writers found the situation they were continuously facing confounded reality and realized some of their problems in their writing method. Modernists, when they describing the experiences wearing high complexity, feel that the classical realism method is not appropriate, and therefore come to take many experiments through various methods in every artistic field. All these attempts inevitably tried to find new methods in order to transcend the greatly simplified experience which had been described by classical art. Hence, rather than just unfolding the plain story, juxtaposition was preferable, and irony rather than unified sentiment. The attitude of the writers or artists were seeking through modernism was usually to deny the authority and conventionality, and was a kind of Nihilism against the established culture.
But while searching for the more complicated sentiment on reality, modernism seems to lose the balance of logicality, and this problem has been pointed out as a vulnerable point of modernism by numerous critics. On the contrary, the advocates of the point insisted that the successful experimental methods were much more delicate and complicated than the existing classical old ones, and more appropriate for today's reality, and therefore could help in forming the ultimately satisfactory logicality and the principle of order.
In conclusion, the Avant-garde spirit's one characteristic must be the precise awareness of various problems in art, or the constant self-consciousness. The evidence can be showed off from the power and variety of criticism which helped the literature of modernism. We should put a significant meaning into the fact that the recent criticism begins to regard that modernism as an endeavor for providing modern experience through a proper manner, or a highly meaningful method of art.
The meanings of the word modernism are various, so when we mention in reference to the 20th century's forms of art, especially to the 20th century's literature, it is used very well.
During the period from 1910s to '30s, the term, modernism, freed itself from the attitude of having general sympathy with modern things and had a more special relationship with the artistic experimental consciousness. This period went through the disordered state brought about by World War I and the economic panic. However, it was a period of great creation on the cultural dimension.
A strange tension against the complex and varied world was centered on the modernist-writers' fundamental awareness. The writers found the situation they were continuously facing confounded reality and realized some of their problems in their writing method. Modernists, when they describing the experiences wearing high complexity, feel that the classical realism method is not appropriate, and therefore come to take many experiments through various methods in every artistic field. All these attempts inevitably tried to find new methods in order to transcend the greatly simplified experience which had been described by classical art. Hence, rather than just unfolding the plain story, juxtaposition was preferable, and irony rather than unified sentiment. The attitude of the writers or artists were seeking through modernism was usually to deny the authority and conventionality, and was a kind of Nihilism against the established culture.
But while searching for the more complicated sentiment on reality, modernism seems to lose the balance of logicality, and this problem has been pointed out as a vulnerable point of modernism by numerous critics. On the contrary, the advocates of the point insisted that the successful experimental methods were much more delicate and complicated than the existing classical old ones, and more appropriate for today's reality, and therefore could help in forming the ultimately satisfactory logicality and the principle of order.
In conclusion, the Avant-garde spirit's one characteristic must be the precise awareness of various problems in art, or the constant self-consciousness. The evidence can be showed off from the power and variety of criticism which helped the literature of modernism. We should put a significant meaning into the fact that the recent criticism begins to regard that modernism as an endeavor for providing modern experience through a proper manner, or a highly meaningful method of art.
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