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In October 1, 2005 there was opening ceremony for the removing asphalt over the streamlet, Chunggyechon. After the 2 year and 3 month long construction named "Chunggyechon Restoration Construction" the paved street of 5.84km transformed to the streamlet with 22 bridges and 120 thousands litter water drawn from the Han-river and underground per day. The opening ceremony was not an one day event, but continued 3 days long accompanied with various programs such as marathon, pop and classic music concerts, exhibitions, bazar etc. and it would be congratulated continually two times in every year through the festival titled "Hi Seoul".
Chunggyechon was covered with asphalt from 1958 to 1977. The original form of this streamlet was made 1760, but the first constructed object for Chunggyechon, "Kwangtonggyo-bridge" was built 1410. It means that the 6 centuries history of this streamlet should be "restored" through the "Chunggyechon Restoration Construction".
According to Seoul City this project aimed to change the old traffic oriented Seoul street into the new and walking citizen and nature friendly one, namely for the public and was resulted from its consciousness of environment problems.
The French social philosopher Henri Lefebvre wrote in "Reflections on the Politics of Space" of 1976 that "Space is not a scientific object removed from ideology and politics;
it has always been political and strategic. If space has an air of neutrality and indifference with regard to its contents and thus seems to be "purely" formal, the epitome of rational abstraction, it is precisely because it has been occupied and used, and has already the focus of the past processes whose traces are not always evident on the landscape. Space has been shaped and molded from historical and natural elements, but this has been a political process. Space is political and ideological. It is a product literally filled with ideologies."
The 'Chyunggyechon Project' started at the same time with the inauguration of the former Mayer of Seoul, Lee, Myung-Bak who ended it during his office period. In terms of Lefebvre's politics of space it can be understood as that the 'promoter' of this project, ie. the former Mayer who became the President of Korea two years later from the opening of the Chyunggyechon Construction, wanted to represent himself as a politician corresponding to the 21st century and a new 'paradigm', thus tried with this construction to differ himself not only from the 'promoter' of the Chyunggyechon Lidding Construction, ie. the former President, Park, Chung-Hee, but also another Presidents of Korea.
This project is not finished but continued by many official and regular programs and spontaneous or accidental events with different characters and purposes. Thus the appearance of the "Restored Chyunggyechon" is changing continually. This kind of reformation of geography can be characterized as postmodernization of landscape according to the term of a humanistic geographer, Edward W. Soja. In fact in Chyunggyechon time is spacified. Not only this spaciality but also the hybridity of space belong to the postmodern characteristics. Chyunggyechon has various objects from a typical historical monument like 'Statue of Jun Taeil', the self burn worker hero to a symbolic public sculpture of global capital like 'Spring' by the world famous American artist Claes Oldenburg, and from many 'restored' old bridges to many simulacra like falls, fountains and Chyunggye Plaza, and is a typical heterotopia, which was a term coined by Michel Foucault.
Through the 'Chyunggyechon Project' the time of 600 years was spacified. This method of the transformation of landscape is postmodernization of geography, thus the appearance of the Chyunggyechon is postmodern. But in the heart of this project which aimed to eliminate 'evil of city' lies the typical consciousness of enlightenment urban politics which understands a city as a sort of human body, thus wants to clean it. In this paper I will show how the 'subject' of this "restoration" project used urban developing or 'designing' methods eclectically to represent its ideology, ie. to organize the Chyunggyechon space.
Chunggyechon was covered with asphalt from 1958 to 1977. The original form of this streamlet was made 1760, but the first constructed object for Chunggyechon, "Kwangtonggyo-bridge" was built 1410. It means that the 6 centuries history of this streamlet should be "restored" through the "Chunggyechon Restoration Construction".
According to Seoul City this project aimed to change the old traffic oriented Seoul street into the new and walking citizen and nature friendly one, namely for the public and was resulted from its consciousness of environment problems.
The French social philosopher Henri Lefebvre wrote in "Reflections on the Politics of Space" of 1976 that "Space is not a scientific object removed from ideology and politics;
it has always been political and strategic. If space has an air of neutrality and indifference with regard to its contents and thus seems to be "purely" formal, the epitome of rational abstraction, it is precisely because it has been occupied and used, and has already the focus of the past processes whose traces are not always evident on the landscape. Space has been shaped and molded from historical and natural elements, but this has been a political process. Space is political and ideological. It is a product literally filled with ideologies."
The 'Chyunggyechon Project' started at the same time with the inauguration of the former Mayer of Seoul, Lee, Myung-Bak who ended it during his office period. In terms of Lefebvre's politics of space it can be understood as that the 'promoter' of this project, ie. the former Mayer who became the President of Korea two years later from the opening of the Chyunggyechon Construction, wanted to represent himself as a politician corresponding to the 21st century and a new 'paradigm', thus tried with this construction to differ himself not only from the 'promoter' of the Chyunggyechon Lidding Construction, ie. the former President, Park, Chung-Hee, but also another Presidents of Korea.
This project is not finished but continued by many official and regular programs and spontaneous or accidental events with different characters and purposes. Thus the appearance of the "Restored Chyunggyechon" is changing continually. This kind of reformation of geography can be characterized as postmodernization of landscape according to the term of a humanistic geographer, Edward W. Soja. In fact in Chyunggyechon time is spacified. Not only this spaciality but also the hybridity of space belong to the postmodern characteristics. Chyunggyechon has various objects from a typical historical monument like 'Statue of Jun Taeil', the self burn worker hero to a symbolic public sculpture of global capital like 'Spring' by the world famous American artist Claes Oldenburg, and from many 'restored' old bridges to many simulacra like falls, fountains and Chyunggye Plaza, and is a typical heterotopia, which was a term coined by Michel Foucault.
Through the 'Chyunggyechon Project' the time of 600 years was spacified. This method of the transformation of landscape is postmodernization of geography, thus the appearance of the Chyunggyechon is postmodern. But in the heart of this project which aimed to eliminate 'evil of city' lies the typical consciousness of enlightenment urban politics which understands a city as a sort of human body, thus wants to clean it. In this paper I will show how the 'subject' of this "restoration" project used urban developing or 'designing' methods eclectically to represent its ideology, ie. to organize the Chyunggyechon space.
목차
Ⅰ. 청계천복원사업 : 600여년의 시간의 공간화
Ⅱ. 청계천과 “복원된 청계천”
Ⅲ. 청계천 “복원”과 그 후에 나타난 포스트모던적 특징들
Ⅳ. 청계천복원사업의 의도 : 모더니즘적 정화와 축출
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